Roach
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威廉·麦格雷戈
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Inthestarkbeautyof19thCenturySnowdoniaayounggirltriesdesperatelytoholdherhometogether.Strugglingwithhermothersmysteriousillness,herfathersabsenceandaruthlessminingcompanyencroachingontheirland.Agrowingdarknessbeginstotakegripofherhome,andthesuspiciouslocalcommunityturnsonGwenandherfamily.
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Alaska Rose has had a difficult few years since her mom left the family four years prior; acting out, rebelling against her single dad, Conner, getting into trouble in school and worse. But when she turns eighteen, Alaska finds herself in front of a judge in adult court for some of the same out-of-control behavior. In lieu of a jail sentence, Alaska is ordered to do community service in an assisted living facility where she is assigned to Mrs. Foster, an elderly resident who is unapproachable at best and hostile at her worst. Will Mrs. Foster be Alaska's undoing or will she simply be another obstacle on the road to the headstrong girl's freedom As Alaska tries to minimally fulfill her court obligation and dodge actual jail time, she deals with peer pressure, static from her family, outside influences and demons from her past. Can she navigate the tumult and re-discover a relationship with God and her family or will she remain caught in the cycle of bad choices and lose what little of either is left
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Naples.AtalmostfiftyyearsoldSandroistheleaderoftheApache,agroupofultraswithwhomhehasspenthiswholelifeatthestadium:alifeofviolence,clashes,passions,andunshakablevalues.NowthataDaspopreventshimfromapproachingthecurve,thosevaluesarestartingtofalter.Sandrofeelsforthefirsttimetheneedforanormallife,arelationship,maybeevenafamily.AlsomeetingTerry,whoisbeautifulandseemstonotfearanything.AngeloissixteenandconsiderstheApachehisfamily.Sandroishisguide,thepersonwhotooktheplaceofhisbrotherSasa,whodiedyearsearlierduringtheclashesofatrip.ULTRASisthestoryoftheirfriendship,ofafaithandalovemarkedbythelastfewweeksofafootballchampionship,andtheinevitablemeetingofbothwiththeirowndestiny.IntheNaplesofFrancescoLettieri(Liberato,Calcutta,EmisKilla,Thegiornalistiandmanyothers)Ultrastellsanalmostfraternalfriendshipbetweenthetwoprotagonistswith,inthebackground,ahypotheticalfootballchampionship.UltrasisthefirstfilmbyFrancescoLettieri,itwillbereleasedinselectedcinemasonMarch9,10and11andwillbeavailableonNetflixfromMarch20.
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With their different approaches, these versatile comedians complement each other perfectly and bring outside perspectives to the stage.
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比尔·杜克
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Having witnessed his junkie father killed Russell Stevens grows up to become a policeman and make a difference. When he is offered an undercover job by Gerald Carver he accepts and begins to build a relationship with David Jason in order to get to the main dealers. However as he is forced to deal drugs and kill to keep his cover he finds the lines between cop and criminal being lost – is he a cop pretending to be a dealer or a dealer pretending to be a cop Larry (as he was then) Fishburne's first lead role was a typically dark vehicle. The story is the usual one of cop losing himself when undercover, however it manages to be more than that for most of the time. Co-written by Tolkin, who wrote The Player, this naturally has a nice cynical edge to it when it looks at the US's hypocritical approach to drug control and the political links between the street hustlers and the political high rollers who court respectability. The story does eventually settle into a traditional setting but even then it works well as a thriller. The multi-talented Bill Duke directs well with a gritty feel and a few nice touches. However several things are a bit iffy. For most of the film Fishburne's narrationvoice over is a bit like a cross between Apocalypse Now and Blade Runner – it comes across as a little too dark and heavy and also explains things like we can't figure it out ourselves. However once you get into the film it's not as big a deal. My main problem lies with the characters. Fishburne is excellent, a real model of underlying anger and violence, Goldblum is good but perhaps a little OTT on the yuppieviolence thing, but there's good support from Smith and Spin City's beautiful (and often underused – but not here) Victoria Dillard. However the two main white characters (Goldblum and Smith) are both smeared with racist insinuations – Smith appears to insult his black officers and doesn't care about the junkies, while Goldblum is fascinated about all things black and talks about them as wild beautiful beasts and loves having sex with black'. These things aren't a major problem, but with basically only two white characters in it, it's a little worrying that both are given that edge. However these are minor complaints that get lost with a good thriller. Fishburne excels and Duke delivers a story that is a good thriller but also has a jaded, subversive edge.
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肖恩·欧森
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艾米丽·奥斯蒙特
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瑞恩·罗特曼
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胡凯莉
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Jacob Buster
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Trinity Roberts
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Sarah Jackson
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斯科特·克里斯托弗
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Jake Stormoen
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Melanie Stone
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Kalli Therinae
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"Heidi (Osment), who initially left her small town of Pleasant Valley with the dream of one day becoming a successful painter, has put her own art on hold to excel as an art gallery curator. Now, a week before the gallery's big Christmas party, she must return home to watch her niece and nephew. She comes face to face with her high school love, Chris, now a teacher, who is in over his head after he must find a new last-minute location for the Christmas dance. Heidi offers to help him and together they discover a beautiful place for the dance, perfectly capturing the Christmas spirit, called Wonderland Farms. The more time Heidi spends in Pleasant Valley decorating for the Christmas SnowBall, the more she finds herself inspired to start painting again. With Christmas fast approaching, Heidi soon becomes torn between the life she built in the city and the life she is surprisingly charmed by back in Pleasant Valley, embracing her true passion."
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罗德·拉申
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脉轮是14岁，过着精疲力竭的生活。他、他的父母和他的许多兄弟姐妹都在柬埔寨的稻田里一起工作。晚饭时，他们围坐在小木屋里的木桌旁，父子之间总是意见分歧。当一个朋友告诉查克拉在工厂赚钱的可能性时，这个男孩决定自己出发。但在途中，他落入了贩运人口的魔掌，被贩卖为奴隶。在他现在必须工作的泰国渔船上，船长的政权既残忍又武断。暴力、酷刑甚至谋杀都是当今社会的当务之急。脉轮意识到他唯一的希望就是摆脱折磨他的人。罗德·拉什金的第一部故事片是一部残酷而现实的描述柬埔寨强迫劳工处境的电影。这位澳大利亚导演的方法远远不够漂亮，无人能幸免。他的扣人心弦的电影是一个对社会不公正的激情见证，同时也是一个关于一个被考验人性的男孩的令人感动和震惊的成年故事。Chakrais14andleadsanexhaustinglife.He,hisparentsandhismanysiblingsallworktogetherinthericefieldsofCambodia.Atdinner,theycrowdaroundthewoodentableintheirsmallhut,andtherearealwaysdifferencesofopinionbetweenfatherandson.WhenafriendtellsChakraaboutthepossibilityofearningmoneyinafactory,theboydecidestosetoffonhisown.Butontheway,hefallsintotheclutchesofhumantraffickersandissoldintoslavelabour.OntheThaifishingboatwherehenowhastowork,thecaptain’sregimeisbothcruelandarbitrary.Violence,tortureandevenmurderaretheorderoftheday.Chakrarealisesthathisonlyhopeistogetridofhistormentors.RoddRathjen’sfirstfeaturefilmisabrutalyetrealisticdepictionofthesituationforCambodianforcedlabourers.ThisAustraliandirector’sapproachisfarfromprettyandsparesno-one.Hisgrippingfilmisapassionatetestimonyagainstsocialinjusticeand,atthesametime,atouchingandshockingcoming-of-agestoryaboutaboywhosehumanityisputtothetest.
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With their different approaches, these versatile comedians complement each other perfectly and bring outside perspectives to the stage.
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《德洛丽丝·罗奇的恐怖》是一部受《理发师陶德》(Sweeneytodd)启发的怪诞故事，讲述的是“吃还是被吃”;一个关于爱情、背叛、杂草、中产阶级化、同类相食和适者生存的可怕都市传说。这部电影讲述了不屈不挠的多洛雷斯·罗奇(DoloresRoach)回到纽约市的一个社区，在她入狱的16年里，这个社区发生了巨大的变化。她的男朋友失踪了，她的家人早就不在了，德洛丽丝只认识一个吸毒的老朋友路易斯，他给德洛丽丝提供食宿，并让她在他破旧的肉馅卷饼店下面的地下室公寓里为现金按摩。当她新发现的稳定的承诺很快受到威胁时，“魔法手”德洛丽丝被驱使到极端生存-在她身后留下了一系列勒死的按摩客户。面对意想不到的职业成功，多洛丽丝和路易斯成为危险的共生关系，路易斯必须释放他自己的特殊偏好。
