Dra
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Every year, the REEL ROCK Film Tour brings premieres of the best new climbing films to communities around the world, with 500 - locations in 40 - countries - and counting... REEL ROCK events feature athlete and filmmaker appearances, prize giveaways, sponsor activation and fundraising for non-profit organizations.
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Ter
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Sittar
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Theerapatvej
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Golf
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Witchayapong
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Krungsrimueng
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Jam
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Banthita
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Kansoot
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Khwan
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Khwanruedee
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Wongphat
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讲述了金恩和他的两个朋友去泰国北部度假的故事。然而,金恩的电话坏了,他们的计划泡汤了,这导致他们去见诺斯。金恩请他当他们的导游,因为他在这个地方长大,什么都知道。这个旅程会从他们的内心出发吗?FollowsthestoryofKinnwithhistwofriendstravellingtoNorthernThailandforavacation.However,Kinn'sphonegotbrokenandtheirplansareruinedwhichleadsthemtomeetNorth.Kinnaskedhimtobetheirtourguidesincehewasandraiseinthisplaceandknowseverything....
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TheFamilyManisanedgyaction-dramaseries,whichtellsthestoryofamiddle-classmanwhoworksforaspecialcelloftheNationalInvestigationAgency.Whilehetriestoprotectthenationfromterrorists,healsohastoprotecthisfamilyfromtheimpactofhissecretive,high-pressure,andlowpayingjob.
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黛博拉·法拉贝拉
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莱昂德拉·利尔
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泰丝·阿劳茹
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Thainá
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Duarte
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卡米拉?皮坦佳
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路易斯·卡洛斯·瓦斯康赛罗斯
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罗密欧·布拉加
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古斯塔屋·法尔桑
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Vitor
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Thiré
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Bruno
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Goya
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古斯塔沃·瓦兹
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Ravel
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Andrade
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丹尼尔·里贝罗
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Kay
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Sara
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Abra?o
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Mazuruna
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克劳迪乌·亚博朗迪
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Flávio
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Rocha
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布鲁诺·帕基利亚
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Marcos
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de
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Andrade
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哈法埃尔·普林莫特
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Luti
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Angelelli
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塞缪尔·德·阿西斯
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Daniel
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Volpi
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B
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FundadorasdaONGdepreserva??oambientalAruana,Natalie(DéboraFalabella),Luísa(LeandraLeal)eVer?nica(TaísAraújo)viajamparaCari,nointeriordoAmazonas,aoreceberemumadenunciasobreatentadosaopovoindígenaseconflitospelapossedeterraspreservadas.ElasdescobremumgrandeesquemadecrimesambientaisetemquelidarcomOlga(CamilaPitanga),donadeu...
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In2013,anAustralianmanafewmonthsshyofturning60decidedtowalktheCaminodeSantiago–an800kmpilgrimagetrailacrossthetopofSpain.Hehadnoknownreligion,andabsolutelynoideawhyhefeltsodeeplycompelledtodothistorturouswalk.Butcompelled,hewas.Hecompletedthewalk,battlinga“triumvirateofpain”-akneethathelaterdiscoveredlackedanymeaningfulcartilage,ablisterthesightofwhichwouldmakeagrownmanweep,andshin-sorenessthatfeltlikehislowerlimbhadbeensplitwithamountainaxewieldedbyadementedtroll.ArrivingattheendoftheCamino,themajesticcathedralinSantiagodeCompostela,heexpectedanepiphany–ananswertothequestionhe’dbeenaskinghimselfeveryday:WhyamIdoingthis?Butnoanswercame.Sowhenhegothomehewroteabook,hopingtheanswerwouldrevealitselfinhisscribblings.TheresultwasTheWay,MyWay,ahumourousandself-deprecatingbookthatmanyconsiderthebestmemoireverwrittenonwalkingtheCamino.Thebookhasnowbeenmadeintoafilm,andit’sanextraordinaryaccountofamanatapivotalpointinhislife,searchingformeaningandfindinghimselfundergoingafundamentaltransformationsoprofoundthathenowdivideshislifeinto“BeforetheCamino”and“AftertheCamino.”It’sastoryparticulartooneman,yetofappealtoanyoneseekingagreatermeaningfromlife.
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杰西·奥布莱恩
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After the death of their adoptive mother, a shy butcher and his drama queen twin sister leave the UK and adventure to Australia in search of their biological mother, but the local townsfolk of Two Heads Creek are hiding a dark secret the pair must reconcile their differences to fight for their lives in this playfully dark comedy-horror.
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蒂尔曼·辛格
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Luz,ayoungcabdriver,dragsherselfintothebrightlylitentranceofarun-downpolicestation.Ademonicentityfollowsher,determinedtofinallybeclosetothewomanitloves.
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Following the success of their feature debut Jennifer’s Shadow (2004) – an exercise in American Gothic set in a scary land called Argentina – Pablo Parés and Daniel de la Vega worked for a US company on a post-mega-disaster wasteland zombie film in which South America had been turned into an all-purpose, all-materials junkyard, with the undead as the last humane entities around (forget about the humans here!). The project never materialised, but Diego Parés, Pablo’s brother, started to write and draw a comic series based on the screenplay – which so far remains a ruin, as only parts were finished and published. The ECish beauty and balls of Diego P.’s labour of love have now been congenially transformed by the directorial duo into a delightfully old-(1970s)school low-budget production, closer to Romero and Dante than Fulci and Lenzi. And the IFFR audience is in for the treat of treats they get to see the film and can also enjoy the unfinished comic in an exhibition.
