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巴瑞·莱文森
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Tin Men is one of my favorite movies of all time. The thing that always strikes me whenever I watch this movie is that while the characters of Richard Dreyfuss and Danny DeVito are seemingly feuding non-stop throughout the movie, in reality they are actually kindred spirits. It's like they see themselves in the other but don't really like what they see. Barbara Hershey is great as the haggard housewife who looks for something more fulfilling in her life. All the supporting cast is excellent. I love the diner dialog which is reminiscent of Barry Levinson's previous film "Diner." The background scenes of Baltimore landscape add to the realistic atmosphere of the movie. Overall, I think this movie is vastly underrated. I'd love to see a sequel with Dreyfuss and DeVito as partners in a VW dealership.
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丽莎·戈尼克
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GabrielleiswritinganillustratedguidebookonsexcalledHowToDoIt.AtabooksigningshemeetsSaul,anestablishedmalewriterwhoisstraight.ShebothlovesandhateshisworkwhichhasseepedintohersecularJewishlifefromchildhood.ThemoreGabrielletellshimaboutherbookthemorehewantstoknowaboutherlife;therelationshipwithheryoungergirlfriendOliviaandherdeterminationtostopusingmypenisinsex.Asherbooktakesform,isSauljealousordesirous?TheirfriendshipistestedasisGabriellesrelationshipwithOlivia.Thefilmmusesonhowwewrite,howwedraw.Andthenatureofstoryandwhatitmakesusdo.
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100yearsago,thesistersYodandYardwerethewivesofPhraWanathep.YardwasaloyalservanttomadamKamlai,hismainwife.ButKhunThepaskedYodtohelphimgethersisterandhewouldrewardher.SoYodknockedheroutandWanatheprapedher.Later,YodtricksYardintogivingpoisontoKamlai,togetridofherandgetYardintrouble,soshecanreadmorehaveKhunThepalltoherself.SoYardunintentionallykillsKamlaiandher2daughters.AlltheservantsfindoutthatYardkilledKamlaisotheyhungher.YodsmotherfindsoutthatshecausedYardsdeathsoshestabbedYodandputacurseonher,ifshewastocausehermothertocryatearagain,shewillneverbeabletogetreborn.KhunThepwasrebornasWitsanu,anaward-winningbiographydirector.WitsanureceivedworkfromaTVshowcalledLaoRuangTeukGao(Tellingthestoryofoldbuildings).Palisayoungarchitectthathoststheshow,andforthisparticularepisodethestoryofPhraWanathep’shomeisbeingtold.ThehomeislocatedintheNangBarb(SinWoman)amphoe/district.Duringfilming,thestaffseessomethingstrange.TheydontknowthattheplaceishauntedbytheghostsofYodandYard.KamlaiwasrebornasanactressandYodwantstoapologizeforhersins.SoYodandYardenduppossessingRuengrinandWisa,causingabsolutechaosfortheteam.
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皮埃尔·埃泰
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IMDB简介 Pierre married Florence, the only daughter of a small industrialist. 15 years later, he is the boss, but his middle-class life worries him a lot. When a new young and lovely secretary comes, he starts dreaming. Written by Yepok Twenty-five year old Pierre is a man who likes to play the field, about which most of girlfriends are aware. Pierre falls into a relationship with Florence Girard, who he loves and marries more out of circumstance than anything. Their life is less than the exciting one he envisioned for himself, as he ends up working for Florence's father in the office of the family business, a tannery. Old habits surface as he embarks on a few extramarital dalliances, which he sees solely as distractions from the problems of marriage, one of those problems with Florence being her mother, who Florence resembles. Thus he sees his future as that of his staid in-laws. It isn't until he is in his late thirties that he truly does begin to contemplate ending the marriage, all because of his new eighteen year old secretary, Agnès, with who he believes he has fallen in love. The questions become whether he will do anything about it, if his feeling for Agnès truly is love, whether Agnès has similar feelings for him, and how Florence truly feels about marriage to him after ten years and visa versa. Written by Huggo
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故事发生在16世纪。丹妮尔（德鲁·巴里摩尔 Drew Barrymore 饰）从小和父亲相依为命，但父亲迎娶继母罗米拉（安杰丽卡·休斯顿 Anjelica Huston 饰）后，很快出意外身亡，丹妮尔成了灰姑娘，但依旧坚强独立、热爱生活。机缘巧合之下，丹妮尔与法国王子亨利（多格雷·斯科特 Dougray Scott 饰）相遇，还从绿林大盗手中救了王子一命，两人彼此倾心，王子更想为她拒绝家中安排的政治婚姻。但继母得知这一切后，处心积虑想让自己长女玛格丽特（梅根·多兹 Megan Dodds 饰）嫁给王子，还谎称丹妮尔只是家中女仆。王子听信了继母谎言，愤怒地放弃了丹妮尔……
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安迪·海伊
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IntheChristmasspecial,it’sChristmasinDarrowby,andHelenandJamesrealisetheyhaven’tagreedonwherethey’respendingChristmasDay.MrsHallisexpectingthematSkeldaleandJennyisexpectingthematHestonGrange,andthepairarereluctanttodisappointeitherofthem.Thesituationraisesbiggerquestionsaboutwhattheirliveswilllooklikeinthefuture.Whenabelovedlocalpetistakenseriouslyill,Siegfriedhastobringitintothepracticeforemergencytreatment.Inthefaceofsuchanemergency,HelenendsupfeelinglikeasparepartattheSkeldaleChristmasparty,butfellowfarmerDaveKitsoncouldendupbeingthesolutiontoHelenfindingherplaceatSkeldale,andthekeytotheanimal’ssurvival.Tristanlearnsthatitmightbetimetotakehimselfmoreseriouslyandrevealssomeimportantnews,whileacardfromJames’sfatheraskinghimtophonethemonChristmasDayleavesJamesontenterhooksaboutwhetherhecanmakeamendswithhisfamily.
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After a holiday visit with his parents, Mikey is headed to the airport to return to his wife and newborn baby. Except he doesn’t board the plane. Instead he returns to his parents’ loft in lower Manhattan, back to his childhood room that has since been converted to storage. Unsure of his own motivations, he makes up excuses about why he’s staying – his flight is delayed, his flight is cancelled. A day passes, and then another, and he calls home and work to say he can’t return just yet – his parents are getting old, his parents are ill, time is too short. His doting mother is more than happy to enable his procrastination, while his artist father is suspicious. From afar, his confused wife grows increasingly unsettled. Meanwhile Mikey moves back into his room, digging out notebooks and mementos, calling on old friends. As the days go on he becomes more and more entrenched in his adolescent sanctuary, and comes to a point where he must choose between life as it is and life as it was. --? Official Site
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马克·詹金
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康沃尔渔村的风景明信片田园诗误导了人们。虽然过去钓鱼是一种养家糊口的方式，但如今富有的伦敦游客纷纷下山，取代了当地人，当地人的生计因此受到威胁。史蒂文和马丁兄弟的关系也很紧张。马丁是一个没有船的渔夫，因为史蒂文开始用它来为一整天的游客提供更赚钱的旅游。他们卖掉了这座家庭别墅，现在看来，最后一场战斗是和新主人在海边的停车位上展开。然而，情况很快就失控了，而不仅仅是因为车轮夹钳。Bait是一种黑白，手工制作，16毫米胶片制作的电影。许多关于鱼、网、龙虾、长靴、绳结和渔篮的特写镜头让人想起了蒙太奇景点的理论。对不同社会阶层的描述——可以说是阶级关系——也让人想起了英国电影中的社会现实主义传统。然而，最重要的是，在影像中不同层次的电影历史参考文献之下，当前许多政治关联正在等待被发现。Thepicture-postcardidylloftheCornwallfishingvillageismisleading.Whilefishingusedtobeawayofsupportingoneself,wealthyLondontouristshavenowdescendedandaredisplacingthelocals,whoselivelihoodisthusthreatened.TherelationshipbetweenbrothersStevenandMartinisalsostrained.Martinisafishermanwithoutaboat,sinceStevenstartedusingitforfarmorelucrativetoursforalltheday-trippers.They’vesoldthefamilycottageandnowitseemsthatthefinalbattletobefoughtisthatwiththenewownersovertheparkingspacenexttothesea.Yetthesituationsoongetsoutofhand,andnotjustbecauseofthewheelclamp.Baitisablack-and-whitefilmshotonhand-processed16mm.Numerousclose-upsoffish,nets,lobsters,wellingtonboots,knotsandcatchbasketsbringtomindthetheoryofamontageofattractions.Thedepictionofthedifferentsocialstrata–onecouldspeakofclassrelations–isalsoreminiscentofthetraditionofsocialrealisminBritishcinema.Aboveall,however,awholelotofcurrentpoliticalrelevanceiswaitingtobediscoveredbeneaththedifferentlayersoffilmhistoricalreferencescontainedintheimages.
