Labelle
搜索"Labelle" ，找到 以下影视作品
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阿图·阿拉里
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1944.LeJaponestsurlepointdeperdrelaguerre.Unenouvellegénérationd’officiersderenseignementsestforméeafind’entraverl’avancedel’ennemiaveccommeconsignedenejamaisserendre.Parmicesjeunesgens,unhomme,sec,droitetdéterminé,estenvoyésuruneîledesPhilippines,sonnom:HirooOnoda.Ila22ans.Pourl’Empirelaguerredureraencoreuneannée,pourOnodaelles›achèveradixmillejoursplustard.
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海法·曼苏尔
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玛丽（艾丽·范宁ElleFanning饰）是一个从小就沉迷于怪力乱神的鬼怪神话之中的鬼马少女，她继承了父母的先进思想，个性独立自强又桀骜不驯。为了让女儿接受更好的教育，玛丽的父亲将她送往了自己的友人威廉（德里克·里德尔DerekRiddell饰）家中，在那里，玛丽遇见了浑身充满了忧郁气质的年青诗人雪莱（道格拉斯·布斯DouglasBooth饰）。玛丽很快就被雪莱迷得神魂颠倒，当她决定跟他私奔到伦敦后，玛丽才发现，原来雪莱早已经有了家庭。然而玛丽不在乎这些，她坚定的选择和雪莱在一起。因为背叛了家庭，雪莱失去了来自父亲的经济资助，贫穷没有拆散他和玛丽，令他们的感情分崩离析的，是雪莱的不忠。
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他（哈维尔·巴登JavierBardem饰）是一名作家，却遭遇了职业瓶颈期，一个字都写不出来。她（詹妮弗·劳伦斯JenniferLawrence饰）是一名主妇，每天忙于将两人的安乐窝修缮一新。一天，一个男人（艾德·哈里斯EdHarris饰）敲响家门，这个男人是作家的超级粉丝，接着，男人的妻子（米歇尔·菲佛MichellePfeiffer饰）也登门拜访，这两人在家中随意穿梭肆意的打听着男女主人的隐私，这让她感到十分不快。尽管她三番五次的想要将这对粗鲁的夫妇请出门外，可他却对两人的拜访展现出了由衷的热情。之后，男人和女人的两个儿子也闯入家中，一场争执最终演变成为了流血事件。崩溃的她此时并不知道，这一流血事件仅仅只是失控和崩坏的开始。
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伦纳德·尼莫伊
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三个钻石王老五：建筑师彼得（汤姆?塞立克 Tom Selleck 饰）、艺术家麦克（斯蒂夫?古根伯格 Steve Guttenberg ）和演员杰克（特德?丹森 Ted Danson 饰）合住在曼哈顿的一套高级公寓内，三人风流成性，过着悠然自得的生活。然而，这种生活就在杰克出外地拍片的某天早上被打破了。另外两个室友在公寓门口发现了一名被遗弃的女婴，据遗弃者留下的字条称，这是杰克的亲生女儿。彼得和麦克只得将女婴抱进屋内，开始了“初为人父”的生活。虽然两人经常应付各种各样的女人，然而应付女婴还是第一次。他们被女婴搞得手忙脚乱，焦头烂额；然而通过一阵子的相处，他们内心的父爱情结又油然而生……
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社工艾米丽·詹金斯（芮妮·齐薇格 Renée Zellweger 饰）做着枯燥!繁杂的任务,她天天要跟差其余家庭打交道,处置他们的后代教导疑问,成果掉掉落的埋怨远远多于感激。本来的38宗案件曾经不胜重负,下属又将第39号案件支配给她。迫于义务,疲乏的艾米丽照旧驱车前去小女孩莉莉·沙利文（祖蒂·弗兰 Jodelle Ferland 饰）的家中。判若两人,艾米丽遭到不友爱地看待,在此之外,这个家庭的独特氛围又让她倍感焦急。有感于莉莉的孤单跟无助,艾米丽更为自动地介入到这个案件中来。在一个残暴的迫害之夜,她跟共事从莉莉的怙恃手中将小女孩胜利拯救。 所有好像告一段落,所有又好像刚开端……
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瑞恩·墨菲「爱情故事」诗选剧系列第一季《小约翰·肯尼迪与卡罗琳·贝塞特》基于ElizabethBeller的书籍《OnceUponaTime:TheCaptivatingLifeofCarolynBessette-Kennedy》创作。这是一段引发全国关注的爱情故事：小约翰·F·肯尼迪堪称美国王室成员般的存在。整个国家看着他从少年成长为备受爱戴的单身贵族和媒体焦点。卡罗琳·贝塞特本身就是一颗耀眼明星。她独立坚毅、风格独特，从销售助理一路晋升为卡尔文·克莱恩公司的高管，并成为该品牌同名创始人的知心挚友。约翰与卡罗琳一见倾心，两人之间的情愫如电流般汹涌澎湃，无可否认。这对伴侣的私密爱情成为全民痴迷的焦点，而本剧细腻刻画了他们复杂且心碎的历程。
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Fernando Di Leo's Milano Calibro 9 is an out-and-out masterpiece of Italian Crime cinema and, in my opinion, one of the most astonishing crime stories ever told. The first film in Di Leo's excellent 'Milieu' trilogy, Milano Calibro 9 was followed by La Mala Ordina (aka. Manhunt, also 1972) and the brilliant Il Boss (1973). The three films are not connected story-wise, but all three are excellent, and highly realistic portrayals of organized crime. As far as I am concerned Manhunt is (allthough excellent) slightly inferior to this one and Il Boss which both stand out as absolute all-time highlights of crime cinema. Milano Calibro 9 is the best of them all, a film that is astonishing in all aspects, be it the ingenious plot that, apart from a compelling story and clever twists, includes social criticism, the performances, the gritty atmosphere and suspense or the brilliant score. I can hardly find the right words to express my admiration for this masterpiece which easily ranks among the greatest Gangster flicks ever brought to screen. Gastone Moschin stars as Ugo Piazza, a tough and elliptical ex-convict who has just been released from prison. Immediately after his release, Ugo is approached by members of the Milan mob lead by the irascible gangster Rocco (Mario Adorf), as they suspect him to be responsible for the disappearance of a large sum of money belonging to their boss, an American (Lionel Stander) who controls the organized crime in Milan... Milano Calibro 9 is a film that delivers an astonishingly realistic mood of the underworld like hardly another. The intriguing storyline goes in hand with interesting characters, raw atmosphere, suspense and breathtaking action, social criticism and brutal violence. The film is simply stunning from the beginning to the end, which is even intensified by the brilliant score, a collaboration of the famous composer Luis Enríquez Bacalov and the Italian Progressive Rock band Osanna. Ugo Piazza must be one of the most charismatic gangster characters ever in cinema, and Gastone Moschin was the prefect choice for the role. Moschin delivers a brilliant performance, and the rest of the cast is also great. Mario Adorf is irascible like a rabid dog as the ferocious gangster Rocco, a role that fits him like a glove. The great Lionel Stander fits perfectly in his role of the American Mafia Don. The two cop characters in the film are played by two of the greatest regulars of Italian genre-cinema, Luigi Pistilli and Frank Wolff (who committed suicide before the film was released). The ravishing Barbara Bouchet is astonishing and incredibly sexy in the role of Ugo Piazza's stripper girlfriend. Bouchet is both a stunning beauty and an excellent actress and this is doubtlessly one of her most memorable roles. This is also a political film and director Di Leo embedded a lot of social criticism about topics like corruption. This film simply has everything one can possibly desire in cinema. Films like Milano Calibro 9 are the reason why I love cinema. This is an absolute masterpiece in all regards and, without exaggeration, one of the greatest Crime flicks ever made! The ingenious opening scene alone is more memorable than most films get in two hours.
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保罗·纽曼
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小学老师瑞秋（乔安娜·伍德沃德 Joanne Woodward 饰）已经三十五岁了，却依然过着形单影只的孤独生活，父亲去世，她和母亲（Kate Harrington 饰）之间的关系愈发紧张起来。在学校里，瑞秋的同事卡拉（艾丝特尔·帕森斯 Estelle Parsons 饰）似乎对瑞秋颇为倾心，但瑞秋对她则毫无感觉。 某日，瑞秋遇见了曾经的高中同学尼克（James Olson 饰），在尼克的带领和诱惑下，她第一次品尝到了激情的甜美滋味。然而，正当瑞秋决定和尼克展开一段全新恋情之时，却发现，尼克是一个彻头彻尾的花花公子，可是，即便如此，单纯善良的瑞秋依旧付出了她的真心，得到的却是无情的拒绝。人生对于瑞秋来说还很漫长，但她觉得自己已经老了。
