Ed
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让-保尔·萨罗米
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俏丽的女人丽莎（苏菲·玛索 Sophie Marceau 饰）跟祖母一起栖身在卢浮宫劈面的大楼。卢浮宫的修葺工程使老旧的大楼常出疑问,丽莎因而结识了仁慈的电工小伙马丁（弗雷德里克·迪方多 Frédéric Diefenthal 饰）。某次的施工有意中买通了卢浮宫隧道与大厦的电梯间,丽莎与马丁因而夜入卢浮宫,走进了迷信家们研讨古埃及木乃伊的试验室。丽莎与一具木乃伊干尸对望,没想到却使木乃伊中的幽灵进入了她的身材,今后每到深夜,丽莎便被幽灵驱策在卢浮宫里浪荡,搜索古埃及的护身符。馆长请来教训丰硕的退休警员弗拉克（米歇尔·塞侯 Michel Serrault 饰）担任考察卢浮宫幽灵变乱,从英国来的埃及学专家格兰达（朱莉·克里斯蒂 Julie Christie 饰）也帮了大忙。但世人的尽力能否真能礼服丽莎体内的壮大幽灵呢！
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Sensitive wallflower Cara exists in her humdrum life until the appearance of charismatic Jay unlocks powerful desires within her. When Jay's beautiful French lover arrives, Cara's journey to self-discovery takes a dark and unexpected turn, with tragic consequences. Written by Official
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Ayoungcouplearrivehomeonlytobeterrorizedbymaskedlunatics.
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Anex-hackerisforcedtobreakintohigh-levelbankinginstitutions,anothermanmusttrytopenetratetheboobytrappedbuildingtogettheyoungmanoffthehotseat.
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A young possum's misguided wish for a white Wishmas freezes her entire hometown of Sanctuary City and threatens all who live there.
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TheprojectfromshowrunnerTaylorSheridanfollowspatriarchJacob(Ford)andmatriarchCara(Mirren)andexplores“theearly20thcentury,whenpandemics,historicdrought,theendofProhibitionandtheGreatDepressionallplaguethemountainwest,andtheDuttonswhocallithome.”
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沃尔克·施隆多夫
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Die BRD in den 70er Jahren. über die heitere Anarchie kommt Rita Vogt zum Terrorismus, verführt durch ihren Gerechtigkeitssinn und durch die Liebe zu Andi. Als sie das Scheitern der Bewegung erkennt, taucht sie in der DDR unter. Mit Hilfe der Staatsicherheit, personifiziert in Erwin Hull, beginnt für sie dort unter anderem Namen eine neue Existenz. Rita führt sozusagen das normale Leben der Arbeiterklasse. Sie will ankommen, w?hrend ihre junge Kollegin Tatjana weg will, in den Westen. Zwischen beiden beginnt eine Freundschaft, der eine Fahndungsmeldung im Westfernsehen ein abruptes Ende setzt. Wieder muss Rita untertauchen. Mit einem neuen Namen in einer neuen Stadt scheint sie mehr Glück zu haben. Rita lernt im Urlaub den Studenten Jochen kennen. Er will sie mit nach Moskau nehmen. Doch dann wird Rita von ihrer Vergangenheit eingeholt, es ist das Jahr 1989 - die Mauer f?llt, die DDR h?rt auf zu bestehen...
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在百子胜利度过地表入侵,山地基因危急,Ari智能危急以及天幕辐射危急的5年后,天空人跟小oHeda引导的地表人又回到了空中。在重修故里的时间,不测发明大战前美国国防树破的海底智能化基地因为备用供电停止,浮出水面。在摸索后发明,基地并不幸存者。在修睦了供电装备后,天空人进入了海底基地的掌握体系,本来这是在暗斗时代就开端研发的太空战基地,之以是修在海底是为了平安跟保密。海底基地能够接入还在运转的军事卫星,不测发明美国曾经偷偷跟宇宙的神族文化获得了接洽,神族文化的交际舰队已在百年前动身,当初已进入星河系的边沿。神族文化发明地球文化曾经不复存在。同时ari事先备份在宇宙空间站的体系毛病判断神族文化的来意,生机他们能赞助人类重修故里。但是神族文化却已开端了殖平易近地球的筹划。交际舰队的义务是扑灭地球残留文化树破新的秩序。天空人跟地表人将怎样应用地球发展的文化击败宇宙神族将是本季的亮点。根本剧情设定,神族文化也是碳基生物,拥有跟人类类似的形状,其兵器也是基于量子力学开辟的,只不外比人类昔时科技全胜的要进步。神族文化昔时跟地球文化相互发明后,以为地球文化的科技拥有爆炸性,未必能在达到地球后仍坚持技巧当先,不外因为对未知天下的猎奇,他们派出了2艘星舰跟1w名神族兵士的交际舰队。
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翁贝托·伦齐
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Umberto Lenzi is undoubtedly the king of Italian crime movies, but unfortunately; Syndicate Sadists is not the best examples of his work in this genre. Lenzi's crime flicks tend to be a cut above the rest because he makes films based on stories with a point, and they don't lack direction; but this film feels a bit too wayward to fully fit with the rest of his stuff. The film takes obvious influence from Sergio Leone's landmark western 'A Fistful of Dollars' (which in turn, took influence from Akira Kurosawa's landmark samurai flick Yojimbo), in that it features two warring families and a strong character at the centre. The crime that Lenzi focuses on is kidnapping, and we centre on a character called 'Rambo'. Rambo is dragged into the war between the two families after his brother is killed because of it. Rambo uses his brains and brawn to pit the two families against one another, in the hope of gaining revenge for his brother's death, rescuing a young boy that they've kidnapped, and ultimately letting the two sides destroy one another. The film's biggest asset is undoubtedly Tomas Milian. Milian was put to great use by Lenzi in almost all of his crime thrillers. The range of characters he has played for Lenzi is immense, and this one is easily one of the coolest. The character is called Rambo, which immediately sprang to mind the popular Sylvester Stallone character - but for once, the Italians actually haven't stolen this name as Syndicate Sadists was released first! As usual, the film is wickedly entertaining, as we get to watch Milian get himself involved in the usual array of car chases, shootouts and brawls. Lenzi has got him riding a motorbike this time round, and every scene featuring it and Milian is a real standout! However, the film often feels like it doesn't really have anywhere to go, and this means that the running time is stretched out more than it should be. Compared to the crime films of other Italian directors, Syndicate Sadists is more than above average; but in relation to Lenzi crime flicks such as Almost Human and The Cynic, The Rat and The Fist - it doesn't stand tall as one of Lenzi's best. Still, if you're looking for ninety minutes of testosterone fuelled mayhem - Syndicate Sadists will suffice!
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索尔·巴斯
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号称是美国七十年代最非著名的一部科幻电影杰作，导演索尔·巴斯是设计师，还曾两次获过奥斯卡奖，但不知为何这部经典的心理科幻片至今都没出DVD。 Desert ants suddenly form a collective intelligence and begin to wage war on the desert inhabitants. It is up to two scientists and a stray girl they rescue from the ants to destroy them. But the ants have other ideas. Phase IV is an incredible full length feature film by Saul Bass who is most acclaimed as a graphic designer who's work can be seen as the opening credits from The Seven Year Itch, Vertigo, West Side Story to Alien, Broadcast News and Casino. Phase IV is a much overlooked film that is very much in the style of The Andromeda Strain. What it perhaps lacks in story, it gains in the photography of the millions of ants. 索尔·巴斯，美国动画片绘制家、美工师、导演，1920年5月8日生于纽约市，少年时曾经在布鲁克林学院学习绘画，毕业后从事过十年自由职业设计师的职业，1946年在洛杉矶创立索尔·巴斯合作公司。他在为一些影片进行美术设计时，猜出心裁地为片头片尾的演职人员表配上生动活泼的动画人物，这些动画人物的形态动作巧妙地提示了影片的主题，反映了影片的基调，从而使单调乏味的演职人员表和谐地成为了影片不可或缺的一部分，这种大胆的创新丰富了电影的表现形式，广受观众们的喜爱，其后为不少国家的影片所沿用。索尔·巴斯设计片头片尾的影片以《卡门·琼斯》(1955)、《红衣主教》(1963)等片最为著名。此外，他还监制和导演了很多电视广告片、动画片片和纪录片，如《敏锐的眼光》(1963)、《第四相》(1974)等。
