Dra
搜索"Dra" ，找到 以下影视作品
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The original crime-solving series Private Eyes is a 10-episode procedural drama that follows ex-pro hockey player Matt Shade (Jason Priestley) who irrevocably changes his life when he decides to team up with fierce P.I. Angie Everett (Cindy Sampson) to form an unlikely investigative powerhouse. Through their new partnership, Shade is forced to examine who he has become and who he wants to be. Ongoing episodes find Shade and Angie investigating high-stakes crimes in the worlds of horse racing, fine dining, Toronto's vibrant hip-hop scene, scandalous literature, magic clubs, and more.
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艾伦（贝特西·德雷克 Betsy Drake 饰）在旅途中结识了名叫杰夫（罗伯特·杨 Robert Young 饰）的建筑师，杰夫曾经就差一点要和未婚妻携手步入婚姻的殿堂了，在这个节骨眼上，他的未婚妻因为意外去世了。自此之后，杰夫性情大变，喜怒无常，宛如患上了精神分裂症一般。 不仅如此，厄运似乎从此就跟上了杰夫，他接二连三的失去了人生中他认为非常重要的东西，还丢掉了工作。艾伦认为这一切是有人在背后捣鬼，当她想要找出幕后的罪魁祸首时，杰夫的心理医生告诉她，杰夫也许患上了非常严重的妄想症，如果继续和他接触的话，艾伦会有生命危险。
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Lesbianprop-masterCasey(CamKillion)isabandonedbyhergirlfriendafterafightatarun-downmotel,attheheightofCOVID-19lockdownsinCalifornia.What’sworse,hergirlfriendhastakennotonlyhercar,butherdogaswell.SheteamsupwithunemployedactorAlan(JoohunLee)onaroadtriptoanauditioninCanada.CaseyisbitterlycynicalwhileAlanisblindinglyoptimistic,whichmakesforahilariousodd-coupleroadmovie.Featuringbeautifullyshotlandscapes,LaramieDennis’slaidbackdebutfeaturefilmdrawson,andqueers,theworkofSamShepard,andwilldelightfansofoffbeatindiecomediesàlathe‘90sworksofHalHartleyandAlisonAnders.
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米洛斯·福尔曼
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詹妮（David Gittler 饰）的迟迟未归让母亲莱恩（琳恩•卡林 Lynn Carlin 饰）跟父亲拉里（巴克•亨利 Buck Henry 饰）觉得非常心急。拉里跟挚友托尼（Tony Harvey 饰）决议外出寻觅,莱恩则留在家里等待新闻。终于,詹妮返来了。末路怒的拉里把女儿打了一顿,这让詹妮觉得非常末路怒,她决议离家出奔。 无法之下,莱恩跟拉里再度踏上了寻觅女儿的旅途,而且碰见了同样也在找孩子的洛克斯顿太太（奥德拉•林德利 Audra Lindley 饰）。在洛克斯顿太太的先容下,莱恩跟拉里参加了寻儿协会,哪晓得他们的集会内容居然就是各人在一同吸大麻。实在,詹妮始终跟男友待在一同,詹妮的男友是个有着光亮前程的音乐人。
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Big-citylawyerCaseyMcKay,(EricClose-Nashville,WithoutaTrace)isdrawntoasmalltownbyhisex-wifetodefendherbrother,accusedofmurderingaDA.Hediscoversawebof.
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FromlivinganormallifetosurvivinghomelessnessinthecityofMiami,PeterisavictimoftheturbulentUSrecessionduringlate2000s.Adramabasedontrueevents.Aheartbreakingchroniclewitnessingadrasticcharactertransformationwhenheisexposedtotheharshcrueltiesthestreetsreveal.
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罗德·拉申
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脉轮是14岁，过着精疲力竭的生活。他、他的父母和他的许多兄弟姐妹都在柬埔寨的稻田里一起工作。晚饭时，他们围坐在小木屋里的木桌旁，父子之间总是意见分歧。当一个朋友告诉查克拉在工厂赚钱的可能性时，这个男孩决定自己出发。但在途中，他落入了贩运人口的魔掌，被贩卖为奴隶。在他现在必须工作的泰国渔船上，船长的政权既残忍又武断。暴力、酷刑甚至谋杀都是当今社会的当务之急。脉轮意识到他唯一的希望就是摆脱折磨他的人。罗德·拉什金的第一部故事片是一部残酷而现实的描述柬埔寨强迫劳工处境的电影。这位澳大利亚导演的方法远远不够漂亮，无人能幸免。他的扣人心弦的电影是一个对社会不公正的激情见证，同时也是一个关于一个被考验人性的男孩的令人感动和震惊的成年故事。Chakrais14andleadsanexhaustinglife.He,hisparentsandhismanysiblingsallworktogetherinthericefieldsofCambodia.Atdinner,theycrowdaroundthewoodentableintheirsmallhut,andtherearealwaysdifferencesofopinionbetweenfatherandson.WhenafriendtellsChakraaboutthepossibilityofearningmoneyinafactory,theboydecidestosetoffonhisown.Butontheway,hefallsintotheclutchesofhumantraffickersandissoldintoslavelabour.OntheThaifishingboatwherehenowhastowork,thecaptain’sregimeisbothcruelandarbitrary.Violence,tortureandevenmurderaretheorderoftheday.Chakrarealisesthathisonlyhopeistogetridofhistormentors.RoddRathjen’sfirstfeaturefilmisabrutalyetrealisticdepictionofthesituationforCambodianforcedlabourers.ThisAustraliandirector’sapproachisfarfromprettyandsparesno-one.Hisgrippingfilmisapassionatetestimonyagainstsocialinjusticeand,atthesametime,atouchingandshockingcoming-of-agestoryaboutaboywhosehumanityisputtothetest.
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雅克·费代尔
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Released in France as La Kermesse Heroique, Carnival in Flanders is set during the long-ago war between the Dutch and Spanish. A tiny village in Flanders is invaded by Spanish troops. The townsfolk have heard of Spanish cruelties in other towns, and decide to deflect the vanquishers by playing dead. This isn't terribly effective (you have to take a breath once in a while), so the wife of the burgomaster tries to soften up the invaders with a lavish carnival. So successful is this venture that the Spaniards allow the village to escape being decimated, or even taxed. An award-winner many times over, Carnival in Flanders was banned in Germany; evidently, Goebbels caught on that director Jacques Feyder and scenarists Bernard Zimmer and Charles Spaak were drawing deliberate parallels between the Spanish and the then-burgeoning Nazis.
