Uche
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比尔·杜克
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Having witnessed his junkie father killed Russell Stevens grows up to become a policeman and make a difference. When he is offered an undercover job by Gerald Carver he accepts and begins to build a relationship with David Jason in order to get to the main dealers. However as he is forced to deal drugs and kill to keep his cover he finds the lines between cop and criminal being lost – is he a cop pretending to be a dealer or a dealer pretending to be a cop Larry (as he was then) Fishburne's first lead role was a typically dark vehicle. The story is the usual one of cop losing himself when undercover, however it manages to be more than that for most of the time. Co-written by Tolkin, who wrote The Player, this naturally has a nice cynical edge to it when it looks at the US's hypocritical approach to drug control and the political links between the street hustlers and the political high rollers who court respectability. The story does eventually settle into a traditional setting but even then it works well as a thriller. The multi-talented Bill Duke directs well with a gritty feel and a few nice touches. However several things are a bit iffy. For most of the film Fishburne's narrationvoice over is a bit like a cross between Apocalypse Now and Blade Runner – it comes across as a little too dark and heavy and also explains things like we can't figure it out ourselves. However once you get into the film it's not as big a deal. My main problem lies with the characters. Fishburne is excellent, a real model of underlying anger and violence, Goldblum is good but perhaps a little OTT on the yuppieviolence thing, but there's good support from Smith and Spin City's beautiful (and often underused – but not here) Victoria Dillard. However the two main white characters (Goldblum and Smith) are both smeared with racist insinuations – Smith appears to insult his black officers and doesn't care about the junkies, while Goldblum is fascinated about all things black and talks about them as wild beautiful beasts and loves having sex with black'. These things aren't a major problem, but with basically only two white characters in it, it's a little worrying that both are given that edge. However these are minor complaints that get lost with a good thriller. Fishburne excels and Duke delivers a story that is a good thriller but also has a jaded, subversive edge.
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雅什·乔普拉
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每个人在某个地方总有一个属于你的人存在。“我心狂野”就是让这种信念实现的故事。它讲述的是拉忽尔，一个不相信爱情的人的故事。拉忽尔不太理解人们是如何能够在一起相处一生，难道真的有人是属于他的吗？这又是关于坡佳，一个相信一定有人是属于她的，而且她一定能遇上那个人的女孩的故事。这还是关于妮莎，一个认为爱情就是友谊，终有一天她的梦想会实现的故事。这部电影还有出色的音乐献给那些有梦想而充满热情的人们。他们的梦想能实现吗？他们能找到他们的真爱吗？影片将让我们相信每个人在某个地方总有一个属于你的人存在。 Dil to pagal hai is a fantastic film. Its my all time favorite.I love to watch Yash Chopra films and among them its the best one. Since the year it released i.e 1997 no other film has touched me like this.My extreme love for DTPH is because of following reasons.. -Its tag line touches me i.e someone somewhere...is made for you. -Its story line and Yash Chopra's perfection as a director. -Its superb music by Uttam Singh and above all LATA MANGESHKAR's melodious duets with Udit Narayan.I love its songs; and in them, Lataji's voice (even more than old songs of Lataji) -Uttam singh's background instruments rock me whenever i listen to the numbers. -Shahrukh Khan's first performance in which he didnot deliver dialogs in the way like he earlier used to.He was very serious and his acting was quite,calm and mature.For the same reason he got several awards for this film. -Madhuri's performance was great and so was of Karisma.Both got awards and Karisma also got her first National Award. -I love its screenplay specially in the shots having an acting stage within the film.(See its climax to confirm what i said.) MUST SEE IT AFTER READING MY COMMENTS IF YOU ARE NOT SATISFIED WITH ME. I AM SURE YOU WILL ALSO BECOME A DTPH FAN LIKE ME.
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RADIOGRAMissetin1971Bulgaria,undertheCommunistregime:whenanywesterninfluence,especiallymusic,isanationalthreat.AtimewhenradiostationslikeBBC,DeutscheWelleandRadioFreeEuropearemuffledandprohibitedandwhenallreligiousorganisationsarerestrainedandanysuchexpressionisbanned.Basedonatruestory,itfollowsafather,whowalksforalmost100kmtotownsohecanbuyanewradioforhisrock’nrollobsessedson.Thefilmisaboutmusic,freedomandidentity
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FromEmmy?winningcreatorJGQuintel(RegularShow)comesseasontwoofCloseEnough,theanimatedcomedyaboutamarriedcouple,theirfive-year-olddaughter,andtheirdivorcedbestfriendsalllivingtogetherontheeast-sideofLosAngeles.SeasontwohasJosh,Emily,andthegangcontinuingtonavigateadulthoodwhilecontendingwithhauntedcouches,bulboushorses,time-travelingwhiskeys,andaliteralhouseguestfromhell--allintheirveryownapartment.CastincludesJGQuintel(Josh),GabrielleWalsh(Emily),JasonMantzoukas(Alex),KimikoGlenn(Bridgette),JessicaDiCicco(Candice),DanielleBrooks(Pearle),JamesAdomian(Randy).Season2gueststarsincludeRachelBloom,HeidiGardner,KeithDavid,CheriOteri,KevinMichaelRichardson,KateMicucci,DavidKoechner,VanessaMarshall,WendieMalick,KateBerlant,andMichaelaWatkins.
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FOX的6集圣诞单镜头限定喜剧《穆迪一家TheMoodys》（前名《穆迪家的圣诞节AMoodyChristmas》）改编自澳剧，现定于美国时间12月4日作两集首播，然后在9日及10日各播两集。由BobFisher﹑RobGreenberg及TadQuill联手执笔的《穆迪一家》讲述Moody一家（包括主角SeanSr.﹑妻子及三个孩子）共聚过圣诞，然而他们各自各有自己的怪癖及难处，这些集合起来使到节日走向变得荒诞起来。DenisLeary饰演SeanSr.，是这个关系紧密但失调的家庭的家长，随着所有人在芝加哥共度圣诞，各种秘密令到他的焦虑爆表。ElizabethPerkins饰演女家长Ann。JayBaruchel饰演仍住在老家的长子SeanJr，梦想能成功的他目前只是个冰球埸的维修工。不成熟﹑冲动的Sean有着一个快速致富的疯狂计划。ChelseaFrei饰演中间的孩子Bridget，她成就不错﹑喜欢冷幽默﹑观察敏锐，有点愤世嫉俗。已婚﹑正当着律师的Bridget被认为是最擅长管好自己生活的人，不过她实际隐藏着个秘密，可以动摇看似完美的婚姻。FrancoisArnaud饰演小儿子Dan，他是有有创意﹑神经质的浪漫主义者，毕业于西北大学的他在当商品目录的拍摄助理。
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奥迪·哈拉哈普
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Gilangisanextraactorwhohasbeeninthefilmindustryfor10years.Gilangalwaysgivestoomuchextraeffortsoheisblacklistedbymanydirectorsandcastingdirectors.ExcessiveeffortmakesGilangalwaysrunoutofmoneytoinvestinhisextraroles.GilanglovesaCitraawardactressnamedRachelHesington.Unfortunately,Rachelisdatingarisingactor,KevinSumitro.KevinisthesonofawealthybusinessmannamedMr.NedySumitro.Mr.Chen,aminingentrepreneur,kidnapsKevinandasksforaransomof100billion.Thekidnappingincidentoccursattheshootinglocation.Intheconfusion,Keviniskidnapped.ThekidnapperthinksGilangisKevin.SoGilangandRachelarealsokidnapped.Thedirectorisalsokidnapped.Asthestoryprogresses,Gilangmanagestoovercomealltheobstaclesthatblockhim,usingtheknowledgehelearnedwhenhewasanextrainmanyfilms.
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本片改编自劳伦斯·奥斯本同名小说，小说故事描绘了在摩洛哥沙漠中，一对英国夫妇和当地人在一个豪华别墅的周末聚会上相遇的悲剧。 Speeding through the Moroccan desert to attend an old friend’s lavish weekend party, wealthy Londoners David and Jo Henninger (Ralph Fiennes and Jessica Chastain) are involved in a tragic accident with a local teenage boy. Arriving late at the grand villa with the debauched party raging, the couple attempts to cover up the incident with the collusion of the local police. But when the boy’s father arrives seeking justice, the stage is set for a tension-filled culture clash in which David and Jo must come to terms with their fateful act and its shattering consequences.
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安东尼·寇迪耶
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瑞秋（玛琳娜·佛伊丝 Marina Foïs 饰）和文森特（尼古拉·杜沃歇尔 Nicolas Duvauchelle 饰）相识在一家珠宝店里，强烈的化学反应在两人之间产生了。然而，瑞秋和丈夫弗兰克（罗什迪·泽姆 Roschdy Zem 饰）结婚多年，文森特家中亦有娇妻特莉（艾洛迪·布歇 Élodie Bouchez 饰），受锢与伦理道德关系的四人决定逾越界限，来一场激情四射的“换妻派对”。 这场不道德的狂欢给四具肉体带来了前所未有的快感体验，然而，随着时间的推移，瑞秋发现弗兰克和特莉之间渐渐碰撞出了火花，虽然内心里充满嫉妒，但瑞秋却无法从这种混乱的关系中全身而退，直到有一天，特莉的女儿在母亲的日记里发现了这些成年人一直在玩的荒唐游戏。
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四个女孩Duchess、Sundae、Mimi和ViewViva住在Jam夫人的公寓里，这栋公寓有一个严格的规定，那就是：不允许男孩进入这栋公寓，但是她们的爱情却都发生在这栋公寓里……
