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彼德·切尔瑟姆
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ThereisntmuchcrimeinStoneleigh,Massachusetts,acollegetown,amountaingetawayforthequietlyrich.SowhenEdwardInman,ownerofStoneleighSentinelsecurity,getsalate-nightalarmfromthehomeofoneofhiswealthiestclients,DoyleCutler,hedoesaroutinecheckandthinksnothingmoreofit—untilalocalstudentclaimsthatshewassexuallyassaultedthatnig...
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WiththeimminentreleaseofRoseMatefeo’sbrandnewromcomStarstruckonBBCThreeattheendofApril,thiscomingyearmarksawatershedmomentinbroadcastinghistorywithmostBBCThreecomedyeitherstarring,writtenbyorcreatedbywomen.BBCThreewillbethefirstUKchanneltoachievethislandmarkinfemalerepresentationwith58%oflong-formscriptedcomedywrittenbywomen.UpcomingtitlesincludeLazySusan,StarstruckandEllieandNatasiaplusthesecondseriesofbothInMySkinandBacktoLife.Inadditiontothis,theBBCtodayannouncesfournewBBCComedySlicesforBBCThree,allofwhicharewrittenbyand/orstarfemaletalent:Ladybaby,Amicable,DinosaurandBritney,whichresultsinthemajorityofcomedyprogrammesonBBCThreenowbeingfemaleled.KateDaughton,outgoingHeadofComedyattheBBC,says:BuildingonthehugesuccessofPhoebeWaller-BridgeandDaisyMayCooper,thismarksamonumentalachievementandistestamenttothefactthemostpioneeringandexcitingnewvoicesincomedyareincreasinglyfemale.KateleavestheComedyCommissioningteamtodayhavingmadeatremendousimpactoverseeingaraftoffemalefirsttitles.SinceKate’sarrivalin2017shehascommissionedandnurturedFleabag,Mum,Ghosts,Gavin&Stacey:ChristmasSpecial(2019),ThisTimeWithAlanPartridge,BacktoLife,TheGoesWrongShow,OutofHerMind,TwoDoorsDown,InMySkinandManLikeMobeen.AlongsidetheforthcomingWitchfinder,Alma’sNotNormalandStephenMerchantseriesTheOffenders(w/t).ShaneAllen,DirectorofBBCComedy,says:Fiveyearsagotherewerestillarticlesaskingwhereallthefunnywomenwere.Thathoaryoldnonsensecanfinallybedispensedwithonceandforall.It’salevelplayingfieldwiththemostvibrantanddynamicworkcomingthroughfromfemaleswritersandwriterperformerswhoareelevatingtheartformofcomedyandexpandingitshorizons.AsforKateDaughton,nolongerwillshecurseatmeforloudsneezingintheoffice.Partlybecauseshe’sleavingandmostlybecausewe’venotbeenintheoffice.Trulybereft;indenialthatshe’soffandwe’reluckytohavehadherforsolong.CharlotteMoore,ChiefContentOfficer,says:Kate’simpeccabletaste,whipsmartcomedybrainandbeguilingwayswithtalenthavehadatransformativeimpactonthecomedyoutputinhertimehere.ThefactthatBBCThreecanclaimtobethefirstUKchannelwithamajorityoffemaleledandwrittenscriptedcomedyisinlargepartdowntohervisionandpassionforbackinggenredefiningfemalecreatives.She’llbesorelymissedbutthankfullyleavesbehindaterrificlegacyofshowsahead.
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西恩·迈德斯
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斯蒂芬·格拉汉姆
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妮娅姆·阿尔格
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Helen Behan
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Deirdre Donnelly
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Mark Hugh-Williams
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Frank Laverty
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James Nelson-Joyce
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马克·奥哈洛伦
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John Burke
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汤姆·戴维斯
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Aiste Gramantaite
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沃克斯豪尔·杰梅因
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David McSavage
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妮雅姆·库萨克
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With no immediate family to live for, Joseph is haunted by a past he has tried, for decades, to forget - if not actively obscure with drink and drugs. Suffering the hangover from hell - the dry spell over - he walks away from his present life and boards a boat bound for Ireland to confront hazy, fear-inducing memories from a childhood spent in the care system that he's had to forget. Emotionally and physically wrecked, Joseph reunites with an incredulous Anna (Helen Behan, This is England '88 - and '90), the sister he hasn't seen since childhood. Anna persuades her wary husband Michael (Frank Laverty; Michael Collins) to let Joseph stay and give him work in the family-owned building company. There, Joseph is forced to directly confront the demons of his past when he comes face to face with Craigy (Mark O'Halloran), a shadowy figure who is dogged by dark rumors, and who won't leave Joseph alone. Joseph's precarious family reunion is further complicated when he is immediately drawn to ...
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His days are grey and pathetic without any highlights to lift his spirits. Drudging away in Munich's last greenhouse, he is forced to produce roses for the wealthy using his mechanical hand. Yet in these days, this is still possible, because he has 999.999.999 - roses on hand. One day, she comes through the door and all he could ever want from that very moment was her. A brief moment was all it was as she had to return to work leaving him determined to abandon everything he was and had to fight for her heart... But all seemed to be in vain. Nothing mattered anymore. Not even the 999.999.999 - roses that were in his hand. Set in the distant future of Munich, graphic designer and filmmaker, Gerald Grunow moved his animation world. The houses, the landscapes and the people inhabiting this foreign land seem in their own way, surreal and not of this world. And yet, a classically romantic story in this imaginative backdrop of love and suffering is told, completely devoid of any dialog. This is ...
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彼得·格兰兹
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迈克尔·卡尔金
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蓓尔·波利
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克莱尔·芙伊
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罗杰·阿什顿-格里菲斯
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理查德·E·格兰特
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薇琪·佩珀代因
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安格斯·肯尼迪
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塞巴斯蒂安·阿梅斯托
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理查德·麦凯布
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杰克·法辛
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迈尔斯·贾普
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基拉·洛德·卡西迪
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艾琳·巴特尔
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Shiona·Brown
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Dominic·Charman
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Phill·Drew
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汤姆·戈德温
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Sven·Ironside
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Les·Kenny-Green
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James·Nicholson
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SetagainstthebackdropofeighteenthcenturyEngland,amassivepoxoutbreak,andJacobiteuprising–thisisatimelyanddarklysatiricalstoryofSirChaunceySavage(Grant)andLadySavage(Foy)andtheirblindpursuitofabetterlife.ItisnotwithoutatingeofironythattheirfamilynameistheSavages,forthisisaSavageHouseindeed.Filledwithduels,decadence,andbloodshed,thisisamadcapplayonclassandpower.
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SUPERCOOL马其顿动作幻想片！ sometimes i think it's a shame that movies like this one don't get the exposure that they deserve - that very few people will get to enjoy them... but sometimes, i think that the lack of exposure is what makes movies like this one - if indie was mainstream it wouldn't have been indie, would it?... so, the best thing i could say about "Zbogum na 20 vek" is a that it's a great movie, but it's not for everyone. the story is rather controversial, the level of blood and gore on screen is rather high (it makes the US horror flicks from the '90s look like kindergarten cartoons) and the editing... well, it's so uneven, that it might induce vomiting... however, if you have the stomach to go over these things, chances are that you will love this film, because it is indeed full of heart. if you don't love it, watch it again... once you know what's happening in the movie it will be much easier for you to pick up all the small details that not only make the scenes look cooler, but also deeper (i have a theory that the whole movie could be seen through symbols only, but it's too long to write it down here)... none of my friends liked it at first, but after two or three viewings, they find it at least respectable if not outright brilliant... so, to cut things up, if you can find this movie, see it by all means. 9.5/10
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BlownAwayisbackforSeason4andit’sbringingawholenewcropofsuperstarglassblowerstoyourTVscreen.Theno-frillsrealitycompetitionshowfollows10professionalsastheyblow,sculpt,andhopefullynotbreaksomeprize-worthymasterpiecesinanattempttobethelastblowerinthehotshop.There’sa$100,000prizepackageatstake,nottomentiontherespectoftheentireglassblowingcommunity!
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亚当·温加德
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凭借《纸上城市》（Paper Towns）而展露头脚的新人纳特·沃尔夫（Nat Wolff）最近正洽谈主演恐怖片《死亡笔记》（Death Note），该片由华纳兄弟公司出品，根据同名热门日本漫画改编。 《死亡笔记》为大场鸫（Tsugumi Ohba）创作、小畑健（Takeshi Obata）绘画，是一套于2003年12月至2006年5月连载于集英社《周刊少年Jump》的心理悬疑推理漫画。故事主角是一个高中生，他无意中捡到了一个笔记本，发现自己只要把一个人的名字写在笔记本上，那个人就会立刻死去。 这名高中生制造的一系列神秘死亡事件引起了一名侦探的注意，他开始追踪凶手，并试图解开事情的真相。 《死亡笔记》在日本曾被改编成一套动画电视剧、两部真人电影和一套视频游戏。华纳几年前就买下了美版电影的版权，直到今年初才定下让《不速之客》（The Guest）的导演亚当·温加徳（Adam Wingard）来执导。
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Mistakenlybelievingthathisroleistoservejustice(“NoWill,aBarrister’sjobistowin”),Willmustnavigatehiswaythroughacriminaljusticesystemseeminglydesignedtobeasopaqueandconfusingaspossible.Whilealsodealingwithhisfellowpupils,eachofthemafterthesamesinglejobattheendoftheirtrainingandmorethanhappytostabeachotherinthebacktogetit.Canhesucceedandholdontohisprinciples?Orwillthesystemclaimanothervictim?
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Meet Camilla, a teenager like many others and like many others somehow special. She lives in a quiet city in Northern Italy, she's a good student, she has a conflicting relationship with her sister Francesca and a dream that her mother doesn't understand, an Eastern woman, pragmatic and hard working, unlike her father, who's more "maternal". Camilla wants to be a ballet dancer and an upcoming audition to be accepted in a prestigious academy is a great opportunity. Meet Sara, another aspiring ballet dancer, who disrupts Camilla's life, like an unrelenting summer wind. Sara is one year older, she's charismatic and sexy; her father is wealthy and her mother is never there. Provoking affectionate moments, defining decisions, twists and turns will shift their relationship in an unexpected direction, changing Camilla's life forever.
