Beatles
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德尼·科泰
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Invitéesenmaisonderepospourexplorerleurstroublessexuels,troisjeunesfemmesoccupentlesjoursetlesnuitsàapprivoiserleursdémonsintimes.Souslasupervisiontranquilled’unethérapeuteallemandeetd’untravailleursocialbienveillant,legroupetentedegarderunéquilibrefragile.PourlajeuneGeisha,lasombreLéonieetl’imprévisibleEugénie,ils’agit,pour26jours,d’éviterlescris,d’apprivoiserleschuchotementsdutempsprésentetdeconsidérerl’avenir.
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TheMartinsfamilyareoptimisticdreamers,quietlyleadingtheirlivesinthemarginsofamajorBraziliancityfollowingthedisappointinginaugurationofafar-rightextremistpresident.Alower-middle-classBlackfamily,theyfeelthestrainoftheirnewrealityasthepoliticaldustsettles.Tércia,themother,reinterpretsherworldafteranunexpectedencounterleaveshe...
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拉夫·迪亚兹
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A majestic film in which two stories easily fit. One about a filmmaker who is a little like Diaz himself and wrestles with the completion of his film and with greedy film festival programmers. And one about a religious leader. Also a little like Diaz himself? The films of Lav Diaz often tell serious epic stories, but they are still not entirely free from humour and satire. For instance in this film, Diaz takes the mickey out of festival programmers and also sketches a picture of himself that is not entirely free from self-mockery. The film has two or three stories (also a film in the film) and one of them focuses on the filmmaker Homer, who very much resembles Lav Diaz himself. The tortured filmmaker wrestles with completing his film. Despite pleas from those around him and from eager programmers, he continues to refuse to regard his film as finished. Alongside the story about a nun in the film on which Homer is working, there’s another story about the religious leader Father Turbico. Turbico leads a sect in the countryside that is primarily made up of young women. When one of the women wants to leave the sect, a dramatic situation ensues. By telling the stories in parallel, similarities become visible between Homer’s struggle with cinema and Turbico's struggle with faith.
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KakLimahisdiscovereddeadbyvillager.Sincethen,herghosthasbeenspottedaroundKampungPisang,makingthevillagersfeelrestless.EnterEncikSolihin,whotriestohelpbydianshiyu.comshooingherghostawayfromthevillage.Husin,EncikSolihinandothervillagerstryingtoovercomethisproblem.However,thetragedybehindKakLimahsdeathhasyettobeunveiled....
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奥利弗·赫曼纽斯
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BasedonAndréCarlvanderMerwe’sbook,Moffie(aderogatoryAfrikaanstermforagayman)followsthestoryofNicholasvanderSwart:fromaveryyoungage,herealisesheisdifferent.Tryashemay,hecannotliveuptothemachoimageexpectedofhimbyhisfamily,byhisheritage.Attheageof19heisconscriptedintotheSouthAfricanarmyandfindshiseverysensibilityoffendedbyasystemclosetoitsdemise,andyetstillinfullforce.SetduringtheSouthAfricanborderwaragainstcommunism,thisisalongoverduestoryabouttheemotionalandphysicalsufferingenduredbycountlessyoungmen.
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To Hell and Back: The Kane Hodder Story is the harrowing story of a stuntman overcoming a dehumanizing childhood filled with torment and bullying in Sparks, Nevada. After surviving a near-death burn accident, he worked his way up through Hollywood, leading to his ultimate rise as Jason Voorhees in the Friday the 13th series and making countless moviegoers forever terrified of hockey masks and summer camp. Featuring interviews with cinema legends, including Bruce Campbell (Ash vs. Evil Dead), Robert Englund (Freddy Krueger), and Cassandra Peterson (Elvira: Mistress of the Dark), To Hell and Back peels off the mask of Kane Hodder, cinema's most prolific killer, in a gut-wrenching, but inspiring, documentary. After decades of watching Kane Hodder on screen, get ready to meet the man behind the mask in To Hell and Back - an uniquely human story about one of cinema's most vicious monsters.
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彼得·杰克逊
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《指环王》导演彼得·杰克逊打造的披头士新纪录片《TheBeatles：GetBack》要推出了。迪士尼前CEO、现董事会执行主席BobIger在年度股东大会上宣布：该片定档于9月4日北美上映。此前该片透露的信息是：记录的是披头士如何录制出经典名曲&专辑《LetItBe》。基于长达55小时的此前未曝光录像，包括披头士在录音室中制作的少见画面，拍摄时间为1969年1月2日-31日。1970年5月，《LetItBe》专辑发行，而当时乐队刚分崩离析。录像高潮为披头士那场著名演出——在伦敦萨维尔街苹果唱片公司总部旧址屋顶上的表演。这段录像本来是用来做一个特别节目的，现用在纪录片上。此外还有140小时的音频。《LetItBe》那段时间经常被看成乐队的动荡时期，而杰克逊说，他很高兴看完这些新得到的视频后，发现事实跟传说并不一样：在那些录像中，虽然也有抓马，但更多的是乐队成员们如何制作出经典音乐，那样的画面“不仅让人神往，而且很有趣，振奋人心，而且与他们的距离让人惊讶地非常亲密贴近。”PJ称很荣幸和开心能得到这样的视频，“制作这部电影会是完全的快乐”。他用了已经用在他此前执导的纪录片《他们已不再变老》中的“黑科技”复原技术来处理这些视频。该片获得了乐队成员保罗·麦卡特尼、林戈·斯塔尔和去世成员家属的合作，包括约翰·列侬的遗孀小野洋子、乔治·哈里森的遗孀OliviaHarrison，苹果唱片公司也参与制作。
