Lively
搜索"Lively" ，找到 以下影视作品
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DidierKonings’simmeringmediaevalhorrorWitteWievenexplorestheconfluenceofreligionandpatriarchyinanexcessivelypuritanicalDutchvillage.Blamedbyhercommunityforbeingchildless,Friedaimmersesherselfinprayerandritual.Whenshereturnsunscathedfromtheforbiddenforestsurroundingthevillage,havingevadedalecherousbutcher,sheiscondemnedasanagentofthedevil.Frieda,however,findsnewfaithinthedarkpowersthatinhabitthewoods.Shotinareducedcolourpaletteattheedgeofvisibility,Konings’grippingfilmconstructsaconvincingpre-modernsocietywhosepracticesitelucidateswithpatienceandattention.AlthoughsetintheMiddleAges,WitteWievendisplaysanunmistakablycontemporaryspirit,craftingafeministparableaboutwomendiscoveringnewwaysofunderstandingtheirlivesandtheworld.
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JohnWoodleftthepiecesofabrokencivilisationbehind,togobacktohisrootsinthewoodland,afteraviruspandemicstrucktheworld.Residinginasimplecabin,heonlywantspeaceandtoliveinharmonywithnature.Comingfromalonglineoftimbermen,hejoinedthearmyandservedasasoldierformanyyears.Rebellingagainsthissuperiorsforkillingciviliansundermartiallaw.Johnfeelshegothisownwifekilledwhensavinghundredsofinnocentciviliansfromcertaindeath.HiswifeexecutedpointblankasretributionforJohnsdisobedienceandsupposedheroicacts.Now,ayoungwomannamedMariaJohnsonhasescapedapandemicresearchlab.Shesbeenpartofexperimentstofindacureforthestillragingvirus.Carryingthepotentialcureinherblood,sheishuntedbyprofiteersandmercenarieswhoknowshersecret.CominguponJohnscabininthewoods,MariaisinstinctivelytakenintoshelterbyJohn.Hewantshertorecoverfastandleave,butbylearningher...
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Based on an unknown Sch?nberg opera from 1929, From Today Until Tomorrow explores one night in a not-quite loveless marriage. A husband and wife return from a party where she has flirted with another man, while he has cast an appraising eye toward an attractive, fashionably dressed acquaintance of his wife’s. Though each dreams, briefly, of leaving the marriage for the excitement and mystery of a new lover, in the end they decide stability and comfort are more important than the fleeting thrill of new romance. Directors Jean-Marie Straub and Danièle Huillet, who previously collaborated on two other films about music (The Chronicle of Anna Magdalena Bach, 1968, and Moses and Aaron, 1975), rely on long fixed shots in austere black-and-white so that the focus remains on the musical brilliance of Sch?nberg’s atonal score, performed here by 70 musicians. That Sch?nberg would choose such a relatively lighthearted message for his newly discovered musical language remains a mystery, especially since the conclusion reached by the husband and wife—to stick with the tried and true—seems directly at odds with Sch?nberg’s own philosophy of composing. It is just this juxtaposition, however, coupled with Straub and Huillet’s faithful presentation, that makes the opera a compelling addition to the Sch?nberg canon—and the film such a challenging and intriguing experience.
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乔·林奇
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Justdaysago,ElizabethDerby(HeatherGraham)wasasuccessfulpsychiatristwithalovinghusbandandtheworldatherfingertips.Now,shefindsherselflockedupinsideapsychwardafterthemurderofayoungmalepatienttowhomshehadaninexplicable,almostotherworldlyattraction.Hopingtoclearhername,Elizabethconfidesinherdoctorandrecountswhathappened,givingwaytoabizarreanddisturbingtaleofsexualmadness,supernaturalhorror,andhomicidalrage.Thedeeperthestorygoes,themoreunhingedandcarnage-ladenlifebecomes,notjustforElizabethbutforeveryoneinherpath.Inthiscinematiclovelettertothelate,greathorrorfilmmakerStuartGordon(Re-Animator,FromBeyond),thego-for-brokeindieveteranJoeLynchprovidesanunpredictableanddelightfullypervertedgifttofansofeverythingfromeroticthrillerstobodyhorrorandH.PLovecraft-mindedcosmicmayhem.WrittenbyRe-AnimatorscribeDennisPaoli,producedby‘80shorrormavenBrianYuzna(Society),andco-starringRe-AnimatorMVPBarbaraCrampton,SuitableFleshwillbecatnipforthosewholiketheirhorrorequalpartsclassicallymindedandprogressivelyunclassifiable.源自：https://www.tribecafilm.com/films/escape-from-tribeca-suitable-flesh-2023
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Four swindle stories, taking place successively in Tokyo - Japan (Les cinq bienfaiteurs de Fumiko), Amsterdam - The Netherlands (La riviere de diamants), Italie (La feuille de route), and Paris - France (L'homme qui vendit la tour Eiffel).
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伊尔瓦·福纳
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Highschoolintriguesandpulsatingeroticismataboardingschoolwhereit’sstraighttobequeer,inastylisticallyimpeccablefilmadaptationofKristoferFolkhammar’ssuccessfulnovel.TheschoolyearatSt.Sebastianhasjuststartedandagroupoffriendsexpectantlydropintotheschoolareathatisexclusivelypopulatedbyqueerguys.Themuch-desiredCharlesentersintosecretsexualpowergamesorchestratedbythestrictschoolmaster,whoistorturedbymemoriesfromatimelongbeforetheeroticacceptancethatprevailsattheboardingschool.Whenthecompetitionforadmissionstotheprestigioussingingeventharden,friendshipscrackandtheutopianexistencebeginstofallapartpiecebypiece.BasedonKristoferFolkhammar’snovelofthesamename,inspiredbyhighschoolfilmsandgayporn,TheSchoolmasterGamesillustratesaworldwheresexualityisfree,butpowergamessimmerbeneaththesurface.
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埃德加·G·乌默
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One of the five sci-fi's I remember every single detail of from my earliest days as a fan. For the genre, I think it's considerably above average. The moor is nicely atmospheric. There's one of every character in the book: the good guy, the bad guy, the local sheriff, the lovely damsel, her father the old professor, etc. The scene where we're looking for the first time through the window of the ship and the visitor peeks out from the other side is easily as good as the three-fingered-hand-on-the-shoulder in War of the Worlds. Nice "character" to the visitor, for whom, like Karloff's Frankenstein, we end up feeling some empathy .
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SuperIcyclonefollowsclimatologistJillSanders,whoreceivesweatherdataindicatingtheformationofanunimaginablypowerfulstormsystem.Astragicstorm-relateddeathsstartmountinginrealtime,sherealizeshersmalltownisabouttobegroundzeroforamassivelydestructiveice-hurlingtornado.
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西恩·迈德斯
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斯蒂芬·格拉汉姆
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妮娅姆·阿尔格
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Helen Behan
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Deirdre Donnelly
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Mark Hugh-Williams
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Frank Laverty
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James Nelson-Joyce
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马克·奥哈洛伦
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John Burke
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汤姆·戴维斯
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Aiste Gramantaite
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沃克斯豪尔·杰梅因
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David McSavage
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妮雅姆·库萨克
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With no immediate family to live for, Joseph is haunted by a past he has tried, for decades, to forget - if not actively obscure with drink and drugs. Suffering the hangover from hell - the dry spell over - he walks away from his present life and boards a boat bound for Ireland to confront hazy, fear-inducing memories from a childhood spent in the care system that he's had to forget. Emotionally and physically wrecked, Joseph reunites with an incredulous Anna (Helen Behan, This is England '88 - and '90), the sister he hasn't seen since childhood. Anna persuades her wary husband Michael (Frank Laverty; Michael Collins) to let Joseph stay and give him work in the family-owned building company. There, Joseph is forced to directly confront the demons of his past when he comes face to face with Craigy (Mark O'Halloran), a shadowy figure who is dogged by dark rumors, and who won't leave Joseph alone. Joseph's precarious family reunion is further complicated when he is immediately drawn to ...
