Bevel
搜索"Bevel" ，找到 以下影视作品
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娜塔莉娅·梅特
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After a traumatic experience, Inés develops a sleep disorder and is haunted by violent nightmares. Do the characters who populate her dreams want to take possession of her body? A highly original psycho-sex thriller by Natalia Meta.
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尼尔·马歇尔
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Co-written by lead Charlotte Kirk and Edward Evers-Swindell, the 1665 - New England set horror film stars Kirk as Evelyn Haverstock, whose husband (Anderson) commits suicide, finding herself falsely accused of witchcraft after rejecting the advances of her landlord.
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"Bob Dylan going electric" at the 1965 Newport Folk Festival is one of those epochal moments in rock history that seemingly everyone has heard about, but what few people seem to know is that it wasn't some ephemeral event that we only know from word of mouth -- filmmaker Murray Lerner documented the performances at the Newport Festival for several years running, and The Other Side of the Mirror collects footage from the three years Dylan appeared at the celebrated folk gathering, allowing us to see Dylan's rise through the folk scene for ourselves. Watching Lerner's documentary, what's most remarkable is how much Dylan changed over the course of 36 months; the young folkie performing at the afternoon "workshop" at the side of Joan Baez in 1963 is at once nervy and hesitant, singing his wordy tunes while chopping away at his acoustic guitar and energizing the crowd without seeming to know just what he's doing. In 1964, Dylan all but owns Newport, and he clearly knows it; he's the talk of the Festival, with Baez and Johnny Cash singing his praises (and his songs), and his mand of the stage is visibly stronger and more confident while his new material (including "Mr. Tambourine Man" and "It Ain't Me, Babe") sees him moving away from the "protest songs" that first made his name. When the audience demands an encore after Dylan's evening set (Odetta and Dave Van Ronk were scheduled to follow him), Peter Yarrow tries to keep the show moving along while Dylan beams at the crowd's adulation, like the rock star he was quickly being. By the time the 1965 Newport Festival rolled around, Dylan's epochal "Like a Rolling Stone" was starting to scale the singles charts, and the hardcore folk audience was clearly of two minds about his popular (and populist) success. When Dylan, Fender Stratocaster in hand, performs "Maggie's Farm" backed by Al Kooper, Mike Bloomfield and the rhythm section from the Paul Butterfield Blues Band, the raucous but hard-driving number inspires a curious mixture of enthusiastic cheering and equally emphatic booing, and while legend has it that the version of "Like a Rolling Stone" that followed was a shambles, the song cooks despite drummer Sam Lay's difficulty in finding the groove, though if anything the division of the crowd's loyalties is even stronger afterward. After these two numbers, Dylan and his band leave the stage, with Yarrow (once again serving as MC) citing technical problems (if Pete Seeger really pulled the power on Dylan, as legend has it, there's no sign of it here); Dylan returns to the stage with an acoustic six-string to sing "Mr. Tambourine Man" and "It's All Over Now, Baby Blue" before vanishing into the night without ment. While much of the audience at Newport in 1965 wanted the "old" Dylan back, his strong, willful performances even on the acoustic stuff makes it obvious that the scrappy semi-amateur we saw at the beginning of the movie was gone forever, and the ovations suggest more than a few people wanted to see Dylan rock. Lerner's film tells us a certain amount of what we already knows, but it gently debunks a few myths about Dylan during this pivotal moment in his career, and his performances are mitted and forceful throughout; no matter how many times you've read about Dylan's Newport shoot-out of 1965, seeing it is a revelatory experience, and Lerner has assembled this archival material with intelligence and taste. This is must-see viewing for anyone interested in Dylan or the folk scene of the '60s.
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阿坎·萨塔耶夫
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导演：阿萨达耶夫演员：别阿伊特让诺夫、卡默罕默德让诺娃、阿别依舍纳里耶夫、门乌杰普别尔格诺夫片长：98分钟故事梗概：阿尔塞是一名保镖，在哥哥去世后他得知哥哥的死并非意外。为了寻求真正的杀人犯，阿尔塞开始了艰难的查询工作，随着调查的步步深入，对哥哥之死负有责任的并非一人，他们权高位重，阿尔塞最终能将凶手绳之以法吗Ahighlyskilledbodyguardavenginghisbrothersuntimelydeathuncoversaringofcorruptionextendingtothehighestlevelsofsocietyandgovernment.
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唐·布鲁斯
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「美国鼠谭」（An American Tail）又译为「老鼠也移平易近」,是1986年由美国举世影业公司制造刊行的动画笑剧片子作品。影片描写的是对于老鼠家庭移弗平易近荒的故事。老鼠Fievel,在从沙皇俄国移平易近到美国的途中跟家人掉散,于是它开端漫长的孤单路程,为了寻觅家人而到处闯荡,在纽约遭受层出不穷的趣事跟挑衅。经由各种磨练,成果成为外地豪杰,并因而得以跟家人团圆。导演唐·布鲁斯（Don Bluth）,监制史蒂文·斯皮尔伯格。本片动画制造精细,故事温馨动人,很有首创性跟设想力。
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斯蒂芬·凯
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Powerhasaprice.WhataretheDuttonswillingtopay?YellowstoneisadramaseriesthatfollowstheDuttonfamily,ledbypatriarchJohnDutton(KevinCostner).TheDuttonscontrolthelargestcontiguousranchintheU.S.andmustcontendwithconstantattacksbylanddevelopers,clasheswithanIndianreservationandconflictwithAmerica'sfirstnationalpark.
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WiththeimminentreleaseofRoseMatefeo’sbrandnewromcomStarstruckonBBCThreeattheendofApril,thiscomingyearmarksawatershedmomentinbroadcastinghistorywithmostBBCThreecomedyeitherstarring,writtenbyorcreatedbywomen.BBCThreewillbethefirstUKchanneltoachievethislandmarkinfemalerepresentationwith58%oflong-formscriptedcomedywrittenbywomen.UpcomingtitlesincludeLazySusan,StarstruckandEllieandNatasiaplusthesecondseriesofbothInMySkinandBacktoLife.Inadditiontothis,theBBCtodayannouncesfournewBBCComedySlicesforBBCThree,allofwhicharewrittenbyand/orstarfemaletalent:Ladybaby,Amicable,DinosaurandBritney,whichresultsinthemajorityofcomedyprogrammesonBBCThreenowbeingfemaleled.KateDaughton,outgoingHeadofComedyattheBBC,says:“BuildingonthehugesuccessofPhoebeWaller-BridgeandDaisyMayCooper,thismarksamonumentalachievementandistestamenttothefactthemostpioneeringandexcitingnewvoicesincomedyareincreasinglyfemale.”KateleavestheComedyCommissioningteamtodayhavingmadeatremendousimpactoverseeingaraftoffemalefirsttitles.SinceKate’sarrivalin2017shehascommissionedandnurturedFleabag,Mum,Ghosts,Gavin&Stacey:ChristmasSpecial(2019),ThisTimeWithAlanPartridge,BacktoLife,TheGoesWrongShow,OutofHerMind,TwoDoorsDown,InMySkinandManLikeMobeen.AlongsidetheforthcomingWitchfinder,Alma’sNotNormalandStephenMerchantseriesTheOffenders(w/t).ShaneAllen,DirectorofBBCComedy,says:“Fiveyearsagotherewerestillarticlesaskingwhereallthefunnywomenwere.Thathoaryoldnonsensecanfinallybedispensedwithonceandforall.It’salevelplayingfieldwiththemostvibrantanddynamicworkcomingthroughfromfemaleswritersandwriterperformerswhoareelevatingtheartformofcomedyandexpandingitshorizons.AsforKateDaughton,nolongerwillshecurseatmeforloudsneezingintheoffice.Partlybecauseshe’sleavingandmostlybecausewe’venotbeenintheoffice.Trulybereft;indenialthatshe’soffandwe’reluckytohavehadherforsolong.”CharlotteMoore,ChiefContentOfficer,says:“Kate’simpeccabletaste,whipsmartcomedybrainandbeguilingwayswithtalenthavehadatransformativeimpactonthecomedyoutputinhertimehere.ThefactthatBBCThreecanclaimtobethefirstUKchannelwithamajorityoffemaleledandwrittenscriptedcomedyisinlargepartdowntohervisionandpassionforbackinggenredefiningfemalecreatives.She’llbesorelymissedbutthankfullyleavesbehindaterrificlegacyofshowsahead.”
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本剧同样由一对艾美奖获奖搭挡——Joe Russo跟Anthony Russo(Arrested Development)——打造。以往情景笑剧大多以[恋情]![家庭]![生涯]![任务]四大元素为主,然而本剧却独辟门路,将眼光锁定在高级教导上。CBS的The Big Bang Theory就是比年来这品种型的胜利范例之一。美国怎么处理[念书难]的疑问? 那些曾经步入社会然而想继承进修的成年人该怎么接收高级教导！这部情景笑剧在必定水平上解答了这些疑问。 Greendale社区大学的先生有些[特别]。这倒不是说他们身材上有什么缺点,而是由于他们的形成光怪陆离——有高中时期的[差生],有刚仳离的家庭主妇,另有[活到老学到老]的白叟。不了象牙塔的神圣感,社区大学圆了这些人的[高级教导]梦。
