Rayna
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故事发生在十七世纪的波兰。书亚(Mieczyslaw Voit 饰)是一名德高望重的神父,坚定的坚持着自己对主的信仰和理想。某一日,他被派往了一间修道院中工作,有传闻魔鬼偷偷潜入了这间修道院,在其中作祟。 修道院的院长是一个名为乔安(卢茜娜·温尼斯卡 Lucyna Winnicka 饰)的女人,这个女人的身上散发出一股强大而又神秘的美丽,让众多的修女们为之疯狂。随着时间的推移,神父书亚发现魔鬼的力量实在是过去强大,仅凭他一人之力无法驾驭,于是向一个老法师寻求帮助。然而,最终,书亚亦没有能够拒绝魔鬼的诱惑,为了帮助乔安,他甚至犯下了杀人的罪孽。
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Loveisapoison,intoxicatingthehearts.Yet,intheend,it'spoisonouslovethatmakestheheartsrace.“你的未婚夫让我的朋友怀孕了。”Prem医生(Ginny饰)在自己期待已久的婚礼上,听到了来自反派女演员Pat(Jayna饰)带来的惊人消息,她的人生就此改变。“那个女人,带来了毁掉我人生的消息,可为什么,我开始想念她。”
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约翰·斯瓦布
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Remy,anaiveanddevoutyoungwoman,iscastoutfromherreligiouscult.Withnoplacetoturn,sheimmersesherselfintotheundergroundworldoftruckstopsexworkersunderthetutelageofSadie,Riley,LivandLevi,theirmadam,Nora,andenigmaticlocallawman,SheriffRex.Remynavigatesbetweenherstrainedbeliefsystemandthelotlizardcodetofindhercallinginl...
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Donatas
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Simukauskas
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Gabija
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Bargailaite
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Povilas
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Jatkevicius
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Sarunas
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Rapolas
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Meliesius
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NobloodyslashershaveeverbeforebeenmadeinLithuania.TakashiMiike’sdie-hardestfanJonasTrukanasaccomplishedhisdreamandindependentlycreatedaninventivelyrippinghorrorthrillerwithaminimalbudget.Bewitchingfromthefirstminutes,thedynamicchasebuildsascaryatmosphereofdanger,fearandhorror,whilealsoclingingtoluckandchance.“Bethehunters...
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MynameisSofia.I’m14yearsoldandI’mlost.Mymothervanishedinsidetheboardingschoolwheresheworks,andmyfatherjusttriedtocommitsuicideunderstrangecircumstances.Nexttohim,anOuijaboard.Iuseditduringaterrifyingseance,andtheghostofmymothertoldmetolookforher.Everythingiscleartomenow.MynameisSofia.I’m14yearsoldandI’mgoingtoenrollattheboardingschooltofindthebodyofmymother.
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皮奥特尔·舒尔金
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After a five-year hiatus from filmmaking, Piotr Szulkin returned in 1990 - with "Femina", based on a novel by Krystyna Kofta and inspired by Luis Bunuel.The main character is Bogna, a thirty year old woman lost in her surrounding reality and unhappy in her private life. After her husband departs for a foreign scholarship, Bogna learns that her mother died. The trip to her hometown for the funeral becomes a voyage in time, during which she relives the memories of her idyllic childhood.As beautifully mounted as any of Szulkin's films, it's full of delirious wide-angle imagery (at times recalling the films of Terry Gilliam). Unavailable on DVD even in Poland, this is a most unfairly neglected work by Szulkin.
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伊泰·塔尔
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ConcertpianistAnat’swatersbreakwhilesheisplaying.Devastatingly,hersonprovesdeaf.TheBabyMozartCDherfathergiveshercangostraightinthebin.However,Anatswilltoraiseapianogeniuswhowouldbefitherrespectedmusicalfamilyonlybecomesstronger,andshetakesdrasticmeasurestomakethishappen.Composedasamoralparablewithatouchofthriller,GodofthePianotellsthestoryofamother–playedwithgreatreservebyNaamaPreis–whoseobsessivebehaviourandmile-highexpectationsthreatentocrushherchild,justasshewasoncecrushed.Whilefocusingonmother-sonrelations,thefilmalsoexplorestheuncertainnatureofprodigy.Istalentinherited?Isthereasecrettensionorevenaninterplaybetweengiftednessandaverageness?And–mostimportantly–whatpricedoesaperson,beitadultorchild,payforbeinglabelledagenius?
