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"Aleksei Gherman junior’s film The Last Train premiered in Moscow in mid December during the film festival Stalker, which also awarded it the prize for the best film. However, its first screening had already taken place in the ‘controcorrente’ competition of the Venice Film Festival in September. The film, dealing with theme of war and shot in black and white, remained unnoticed by the press in the context of the Venice Film Festival (preoccupied almost exclusively with Zviagintsev’s The Return), although it was awarded a prize. In Moscow, it made rather a different impression, especially when set in the context of films dealing with human rights issues.Gherman’s film is, in a sense, a response to his father’s war film 20 - Days without War. Maybe this explains the oddity of a young, clearly talented director venturing on his debut film into the trodden territories of the war film, a theme that dominated Russian cinema in general, but had also been dealt with by his father. For Gherman Junior, however, war knows neither winners nor losers: instead of exploring the history of WWII, Gherman looks at the fate of two men who have failed to make the right choice (or a choice) at the right time. Therefore, they are now the victims of circumstances, of politics, of regimes – which they have or have not elected. Gherman’s concern is with people in particular circumstances, which are not their choice, and how they cope with these unwanted situations.
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Whether the Weather is Fine, director Carlo Francisco Matanad (The Philippines). Production Cinematografica Films (The Philippines), Armi Rae Cacanindin. Feature film. Funding 30,000 €
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宮崎光代
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Yumaisa23-year-oldwomanfromTokyo.Whenshecommutesbytraintoherjobinamangastudio,herfaceisathipheighttotheotherpassengersstandingup.Yumausesawheelchaironaccountofcerebralpalsy.Herdeformedlimbsonlyallowhertocrawl–andtoholdapencil.Thefactthatherboss,asuccessfulcomicartistandbloggernamedSayaka,whohasapenchantforgarishFairyKeiattire,passesYuma’sdrawingideasoffasherown,dismaysthetalented‘mangaka’.Evenworse,heroverprotectivemotherhardlyletsheroutofhersightandrefusestotalkaboutherfather.AsYumaattemptstoliveamoreindependentlife,shestumblesacrossadultcomics–mangaporn–andtoyswiththeideaofdrawingsomeherself.Thepublisheradviseshertogainsomepersonalexperiencefirst.ButwhathappenswhenawomaninawheelchairasksatoutinTokyo’sredlightdistricttofixherupwithasexdate?DirectorHIKARI’shumorousandendearing37Secondsdepictsanunusualjourneyofself-discovery-inartistic,physicalandfamilialterms.And,asthefilm’scharmingprotagonistlearns,friendswhoarenotprejudicedcanbefoundanywhere.
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瓦迪姆·佩尔曼
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Katyaisagirlfromawealthyfamilywhoyearnsforadventure.KeepingitsecretfromhermothersheappliestoamodelagencyandgoestoDubaitotakepartinafashionshow.Butinsteadshefindsherselfinaninternationalprostitutiontraffickingnetwork.KatyatakesitasafunvacationandmiraculouslyescapesproblemswithArabsheikhs.InEmiratesshemeetsLizaandtheygobacktoMoscowtogether.LisaandherroommateGalyaaremakingtheirlivingbydatingrichmenandtheyletKatyastaywiththeminasmallrentedapartment.
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巴瑞·莱文森
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Justine Juel Gillmer(《地球百子》《荒原》)编写剧本,基于哈夫特之子Alan Scott Haft写作的书籍《Harry Haft Survivor Of Auschwitz, Challenger Of Rocky Marciano》,讲述一个男人在奥斯维辛集中营被迫与狱友进行残酷的角斗,胜利意味着能活着等待另一天的考验,而他击败的76名对手则走上了死亡之路。哈夫特承担了沉重的内疚之情,他尝试通过参加二战后备受瞩目的拳击大赛、与洛基·马西安诺等传奇人物比赛而重新找到活下去的理由,并希望能找到他在战争前爱上的那个女子,她激励了他在纳粹手中活下去的斗志。
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ThemoviefollowsthestoryofaPASKAUteamledbyCaptainAdibandhismentor,MajorAdnan,taskedwithprotectinghumanitariansservinginwartorncountry,Namburi.Ontheirreturnhome,theirplanegetsunexpectedlyshotdownbylocalmilitants.Nineofthepassengersmanagedtomaketheirjumpbeforetheplanecrashes.BackinMalaysia,upondiscoveryofthenews,theair...
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内特·派克
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大卫·奥伊罗
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巴里·佩珀
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鲁奇娅·伯纳德
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瑞恩·马尔凯
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吉米·费尔斯
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奥利维亚·华盛顿
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托马斯·卡德罗特
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亚历山大·索托
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Naomi·Simpson
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Gerardo·Barcala
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凯特·盖多西克
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Trell·Isaac
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Julie·Nolin
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Matthew·Mylrea
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Aiden·Stoxx
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Alexander·Davis
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Glenn·Hoffmann
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Nigel·Gentry
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Gavin·Turnbull
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Yorkie·Joaquin
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Amaninsolitaryconfinementforsevenyearscomesoutintoaworldofself-isolation.
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A monster stalks the corridors of an abandoned mansion, targeting those curious enough to find themselves inside. Two friends break in and discover that all exits have been sealed off. The creature that hunts them is growing hungry for their blood and there is no escape…
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PeterMannionisnowsecretaryofstatefortheDepartmentofSocialAffairsandCitizenship.SpindoctorStewartPearson,onPMsorders,instructshimtolaunchaneducationinitiative,totheannoyanceofjuniorministerFergusandtheembitteredGlenn.GlennissupportedbyTerri,whoisfedupandwantsredundancy.PetersbriefistolaunchanAppsinitiativeinalocalschoolbutthepressconferenceshowshimtobewhollyoutoftouchwiththesubject.UltimatelyhemustreconcilewithFergusatafurtherpresscalltogainstreetcred-andjustaboutdoesit.
