Sho
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Kenya’s Rift Valley produces many of the world’s top marathon runners. It’s also a place of gun-toting cattle rustlers. In this enthralling documentary, Julius Arile and Robert Matanda trade their AK-47s for running shoes… and a dream for a better life.
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Cole,anaspiringtwentysomethingscreenwriter,decidestowritehismostambitiousscripttodatebyplottingoutawhimsical,atmospheric,rom-comrelationshipwiththedaughterofhisscreenwritingidol,allinhopesofmeetingherlegendaryfatherandgettingalegupinshowbiz.
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夏洛特·席琳
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女主人公CassieBishop(HarrietDyer扮演)生来就具有一种天赋，能看到死者并与之沟通，还可以帮助解决他们尚未解决的问题…但她却认为这是一种诅咒，不管喜不喜欢。很快，她的老朋友洛杉矶警署LAPD的探员TomHackett(PaulBlackthorne扮演)和他的新搭档CindyLuna(JaceyVasquez扮演)，洛杉矶警署LAPD命案组中一位年轻女探员，请Cassie帮忙解决一宗极其黑暗并且没有任何线索的谋杀案件，尽管Cassie非常不情愿但还是同意使用她的天赋来协助他们。同时，Cassie在协助探员TomHackett解决那些城市中最具挑战性的案件同时，或许找到一种方法来仰制她的天赋。Anne-MarieJohnson扮演TomHackett和他DamienAsante的上司Swanstrom，洛杉矶警署LAPD命案组的总指挥。
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约翰·亚历山大
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BELGRAVIAisthestoryofasecret.AsecretthatunravelsbehindtheporticoeddoorsofLondon’sgrandestpostcode.Thestorybehindthesecretwillberevealedinweeklybite-sizedinstalmentscompletewithtwistsandturnsandcliff-hangerendingsthatwillbedelivereddirectlytoyourmobile,tabletordesktopviaabrandnewapp.Youcanreadit,orlistentoit,orjumpbetweenthetwo.Setinthe1840swhentheupperechelonsofsocietybegantorubshoulderswiththeemergingindustrialnouveauriche,Belgraviaispeopledbyarichcastofcharacters.ButthestorybeginsontheeveoftheBattleofWaterlooin1815.AttheDuchessofRichmond’snowlegendaryball,onefamily’slifewillchangeforever...
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For Goran and his team of amateur shooters, the plan was almost perfect: to enter a hypermarket at night to rob a jeweler. But these "broken arms" had not anticipated the arrival of a vigil like no other: Walter, a former African warlord who will send them to hell ...
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When18-year-oldJohannacomeshomefromschool,hermiserablefatherhidesbehinddrawncurtains.Hecan'tmanagebuyingfood,payingtheelectricbill,orsupporthisdaughter,whoinsteadplodsovertothepawnshopwithherslalomskisaftertheuninspiredsophomoricsexwithapot-smokingsmall-timedealerfromthevillaneighbourhood.ButonedayJoannaendsupnexttoAudreyinGermanclass,andeverythingchanges.SoDamnEasyGoingisacharminglyplayfullovefilmwheresparksflyaroundNikkiHansebladandMelinaBenettPaukkonenintheleadingroles,withShantiRoneypresentingamovingportraitofthetorturedfatheronthecouch.
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TheprojectfromshowrunnerTaylorSheridanfollowspatriarchJacob(Ford)andmatriarchCara(Mirren)andexplores“theearly20thcentury,whenpandemics,historicdrought,theendofProhibitionandtheGreatDepressionallplaguethemountainwest,andtheDuttonswhocallithome.”
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翁贝托·伦齐
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Umberto Lenzi is undoubtedly the king of Italian crime movies, but unfortunately; Syndicate Sadists is not the best examples of his work in this genre. Lenzi's crime flicks tend to be a cut above the rest because he makes films based on stories with a point, and they don't lack direction; but this film feels a bit too wayward to fully fit with the rest of his stuff. The film takes obvious influence from Sergio Leone's landmark western 'A Fistful of Dollars' (which in turn, took influence from Akira Kurosawa's landmark samurai flick Yojimbo), in that it features two warring families and a strong character at the centre. The crime that Lenzi focuses on is kidnapping, and we centre on a character called 'Rambo'. Rambo is dragged into the war between the two families after his brother is killed because of it. Rambo uses his brains and brawn to pit the two families against one another, in the hope of gaining revenge for his brother's death, rescuing a young boy that they've kidnapped, and ultimately letting the two sides destroy one another. The film's biggest asset is undoubtedly Tomas Milian. Milian was put to great use by Lenzi in almost all of his crime thrillers. The range of characters he has played for Lenzi is immense, and this one is easily one of the coolest. The character is called Rambo, which immediately sprang to mind the popular Sylvester Stallone character - but for once, the Italians actually haven't stolen this name as Syndicate Sadists was released first! As usual, the film is wickedly entertaining, as we get to watch Milian get himself involved in the usual array of car chases, shootouts and brawls. Lenzi has got him riding a motorbike this time round, and every scene featuring it and Milian is a real standout! However, the film often feels like it doesn't really have anywhere to go, and this means that the running time is stretched out more than it should be. Compared to the crime films of other Italian directors, Syndicate Sadists is more than above average; but in relation to Lenzi crime flicks such as Almost Human and The Cynic, The Rat and The Fist - it doesn't stand tall as one of Lenzi's best. Still, if you're looking for ninety minutes of testosterone fuelled mayhem - Syndicate Sadists will suffice!
