Raye
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迈克尔·西特
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Everything in high school is like the world ending and Sadie Mitchell's crippling fear of the coming apocalypse is the heightened version of that. Undeterred by the naysayers, Sadie has two weeks to ready herself before doomsday. She needs to master survivalist cuisine, learn to sew, but there are other things...personal things: go to a high school party, kiss a boy, and most importantly, get her best friend back.
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托马斯·克雷
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「权利的游戏」(game of thrones)跟「防暴俱乐部」(the riot club)主演弗雷迪 · 福克斯(freddie fox)主演的汗青剧「 fanny lye deliver’d 」曾经拍摄结束。演员声威中还包含坦尼娅 · 雷诺兹的第一个故事片脚色跟彼得 · 麦克唐纳(牡鹿)。这部片子在英格兰什罗普郡拍摄了10周,由托马斯 · 克莱编剧跟导演,佐拉娜 · 皮戈特(「洞中情侣」)!罗伯 · 坎南(「恋人与暴君」)跟菲利普 · 博博制造。已故的约瑟夫・朗,克莱的临时制造人,掉掉落了他逝世后的制造声誉。故事产生在1657年什罗普郡的一个偏远农场,报告了芬妮 · 莱伊(皮克)怎样学会超出她压制的婚姻,并发明白一个布满可能性的新天下。两个须要赞助的生疏人——一对年青的匹俦(狐狸,雷诺兹)跟一个冷淡的警长(麦克唐纳)牢牢追逐,范妮 · 莱伊的天下被两个须要赞助的生疏人的忽然到来震动了。制片人皮戈特说: “「芬妮 · 莱」是一部奇特而惹人注视标汗青剧,比起传统的英国时装片,它在精力上更亲近西部片或古代惊悚片。”。“起首,这是一个动平易近气魄的故事,一个简略的,令人高兴的叙事带来了生涯的难以相信的壮大跟令人佩服的扮演跟托马斯的奇特视线。”这标记取克莱的第三部故事片。他的童贞作「罗伯特 · 卡迈克尔的狂喜」于2005年在戛纳片子节批评周上映,而他的后续作品「 soi cowboy 」则于2008年在戛纳一种注视首映。由英国片子协会!英国创意协会跟西米德兰制造基金赞助,并由 filmftung nrw!柏林布兰登堡跟 zdf 供给支撑。结合制片OL担任寰球贩卖。
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TheBritishsoldierHarryTurnerwas18whenhewasdeployedtoAfghanistan.Hereturnedfromthewarabrokenman.StrugglingwithPTSD,depressionandsuicidalthoughts,hetravelsdeepintothePeruvianrainforest,wherehemeetstheUSscientistSamantha.Together,theytakecareofanorphanedocelot,asmallspottedwildcat.ThefilmconsistspartlyofmaterialthatHarry...
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夏洛特·席琳
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女主人公CassieBishop(HarrietDyer扮演)生来就具有一种天赋，能看到死者并与之沟通，还可以帮助解决他们尚未解决的问题…但她却认为这是一种诅咒，不管喜不喜欢。很快，她的老朋友洛杉矶警署LAPD的探员TomHackett(PaulBlackthorne扮演)和他的新搭档CindyLuna(JaceyVasquez扮演)，洛杉矶警署LAPD命案组中一位年轻女探员，请Cassie帮忙解决一宗极其黑暗并且没有任何线索的谋杀案件，尽管Cassie非常不情愿但还是同意使用她的天赋来协助他们。同时，Cassie在协助探员TomHackett解决那些城市中最具挑战性的案件同时，或许找到一种方法来仰制她的天赋。Anne-MarieJohnson扮演TomHackett和他DamienAsante的上司Swanstrom，洛杉矶警署LAPD命案组的总指挥。
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When18-year-oldJohannacomeshomefromschool,hermiserablefatherhidesbehinddrawncurtains.Hecan'tmanagebuyingfood,payingtheelectricbill,orsupporthisdaughter,whoinsteadplodsovertothepawnshopwithherslalomskisaftertheuninspiredsophomoricsexwithapot-smokingsmall-timedealerfromthevillaneighbourhood.ButonedayJoannaendsupnexttoAudreyinGermanclass,andeverythingchanges.SoDamnEasyGoingisacharminglyplayfullovefilmwheresparksflyaroundNikkiHansebladandMelinaBenettPaukkonenintheleadingroles,withShantiRoneypresentingamovingportraitofthetorturedfatheronthecouch.
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翁贝托·伦齐
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Umberto Lenzi is undoubtedly the king of Italian crime movies, but unfortunately; Syndicate Sadists is not the best examples of his work in this genre. Lenzi's crime flicks tend to be a cut above the rest because he makes films based on stories with a point, and they don't lack direction; but this film feels a bit too wayward to fully fit with the rest of his stuff. The film takes obvious influence from Sergio Leone's landmark western 'A Fistful of Dollars' (which in turn, took influence from Akira Kurosawa's landmark samurai flick Yojimbo), in that it features two warring families and a strong character at the centre. The crime that Lenzi focuses on is kidnapping, and we centre on a character called 'Rambo'. Rambo is dragged into the war between the two families after his brother is killed because of it. Rambo uses his brains and brawn to pit the two families against one another, in the hope of gaining revenge for his brother's death, rescuing a young boy that they've kidnapped, and ultimately letting the two sides destroy one another. The film's biggest asset is undoubtedly Tomas Milian. Milian was put to great use by Lenzi in almost all of his crime thrillers. The range of characters he has played for Lenzi is immense, and this one is easily one of the coolest. The character is called Rambo, which immediately sprang to mind the popular Sylvester Stallone character - but for once, the Italians actually haven't stolen this name as Syndicate Sadists was released first! As usual, the film is wickedly entertaining, as we get to watch Milian get himself involved in the usual array of car chases, shootouts and brawls. Lenzi has got him riding a motorbike this time round, and every scene featuring it and Milian is a real standout! However, the film often feels like it doesn't really have anywhere to go, and this means that the running time is stretched out more than it should be. Compared to the crime films of other Italian directors, Syndicate Sadists is more than above average; but in relation to Lenzi crime flicks such as Almost Human and The Cynic, The Rat and The Fist - it doesn't stand tall as one of Lenzi's best. Still, if you're looking for ninety minutes of testosterone fuelled mayhem - Syndicate Sadists will suffice!
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索尔·巴斯
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号称是美国七十年代最非著名的一部科幻电影杰作，导演索尔·巴斯是设计师，还曾两次获过奥斯卡奖，但不知为何这部经典的心理科幻片至今都没出DVD。 Desert ants suddenly form a collective intelligence and begin to wage war on the desert inhabitants. It is up to two scientists and a stray girl they rescue from the ants to destroy them. But the ants have other ideas. Phase IV is an incredible full length feature film by Saul Bass who is most acclaimed as a graphic designer who's work can be seen as the opening credits from The Seven Year Itch, Vertigo, West Side Story to Alien, Broadcast News and Casino. Phase IV is a much overlooked film that is very much in the style of The Andromeda Strain. What it perhaps lacks in story, it gains in the photography of the millions of ants. 索尔·巴斯，美国动画片绘制家、美工师、导演，1920年5月8日生于纽约市，少年时曾经在布鲁克林学院学习绘画，毕业后从事过十年自由职业设计师的职业，1946年在洛杉矶创立索尔·巴斯合作公司。他在为一些影片进行美术设计时，猜出心裁地为片头片尾的演职人员表配上生动活泼的动画人物，这些动画人物的形态动作巧妙地提示了影片的主题，反映了影片的基调，从而使单调乏味的演职人员表和谐地成为了影片不可或缺的一部分，这种大胆的创新丰富了电影的表现形式，广受观众们的喜爱，其后为不少国家的影片所沿用。索尔·巴斯设计片头片尾的影片以《卡门·琼斯》(1955)、《红衣主教》(1963)等片最为著名。此外，他还监制和导演了很多电视广告片、动画片片和纪录片，如《敏锐的眼光》(1963)、《第四相》(1974)等。
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托马斯·施拉梅
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一次偶然中，在酒吧卖唱维生的查理（麦克·梅尔斯 Mike Myers 饰）结识了肉店老板的女儿哈丽雅特（南希·特拉维斯 Nancy Travis 饰），一对俊男美女之间很快就擦出了爱情的火花。近日来，一神秘女子连续杀害了三任丈夫以谋取利益的新闻在媒体上穿得沸沸扬扬，胆小懦弱的查理简直不敢细想，为了自保，他忍痛离开了哈丽雅特。 之后，神秘女子被警方逮捕的消息如同一颗定心丸落入了查理的腹中，他再度找到了哈丽雅特提出了结婚的请求，后者欣然应允，就这样，在祝福声中，一对新人踏上了充满了甜蜜与幸福的蜜月之旅，而此时，陷入妻子温柔乡的查理并不知道，因为种种失误，警方冤枉了所逮捕的女子，也就是说，那个邪恶的女魔头依然逍遥法外，她可能在任何地方，甚至是查理的身边。
