Modi

Voice1(male"professionalannouncer"type):Thisneighborhood(1)wasmadeforthewretcheddignityofthepettybourgeoisie,forrespectableoccupationsandintellectualtourism.Thesedentarypopulationoftheupperfloorswasshelteredfromtheinfluencesofthestreet.Thisneighborhoodhasremainedthesame.Itwasthestrangesettingofourstory,whereasystematicquestioningofallthediversionsandworksofasociety,atotalcritiqueofitsideaofhappiness,wasexpressedinacts.Thesepeoplealsoscorned"subjectiveprofundity".Theywereinterestedinnothingbutanadequateandconcreteexpressionofthemselves.Voice2(Debord,monotone):Humanbeingsarenotfullyconsciousoftheirreallife-usuallygropinginthedark;overwhelmedbytheconsequencesoftheiracts;ateverymomentgroupsandindividualsfindthemselvesconfrontedwithresultstheyhavenotwished.Voice1 - Theysaidthatoblivionwastheirrulingpassion.Theywantedtoreinventeverythingeachday;tobecomethemastersandpossessorsoftheirownlives.Justasonedoesnotjudgeamanaccordingtotheconceptionhehasofhimself,onecannotjudgesuchperiodsoftransitionaccordingtotheirownconsciousness;onthecontrary,onemustexplaintheconsciousnessthroughthecontradictionsofmateriallife,throughtheconflictbetweensocialconditionsandtheforcesofsocialproduction.Theprogressachievedinthedominationofnaturewasnotyetmatchedbyacorrespondingliberationofeverydaylife.Youthpassedawayamongthevariouscontrolsofresignation.Ourcamerahascapturedforyouafewaspectsofaprovisionalmicrosociety.Theknowledgeofempiricalfactsremainsabstractandsuperficialaslongasitisnotconcretizedbyitsintegrationintothewhole"”whichalonepermitsthesupersessionofpartialandabstractproblemssoastoarriveattheirconcreteessence,andimplicitlyattheirmeaning.Thisgroupwasonthemarginsoftheeconomy.Ittendedtowardaroleofpureconsumption,andfirstofallthefreeconsumptionofitstime.Itthusfounditselfdirectlyengagedinqualitativevariationsofeverydaylifebutdeprivedofanymeanstointerveneinthem.Thegrouprangedoveraverysmallarea.Thesametimesbroughtthembacktothesameplaces.Noonewenttobedearly.Discussiononthemeaningofallthiscontinued...Voice2 - "Ourlifeisajourney"”Inthewinterandthenight."”Weseekourpassage..."�Voice1 - Theabandonedliteratureneverthelessexertedadelayingactiononnewaffectiveformulations.Voice2 - Therewasthefatigueandthecoldofthemorninginthismuch-traversedlabyrinth,likeanenigmathatwehadtoresolve.Itwasalooking-glassrealitythroughwhichwehadtodiscoverthepotentialrichnessofreality.Onthebankoftherivereveningbeganonceagain;andcaresses;andtheimportanceofaworldwithoutimportance.Justastheeyeshaveablurredvisionofmanythingsandcanseeonlyoneclearly,sothewillcanstriveonlyincompletelytowarddiver搜索引擎优化bjectsandcancompletelyloveonlyoneatatime.Voice3(younggirl):Noonecountedonthefuture.Itwouldneverbepossibletobetogetherlater,oranywhereelse.Therewouldneverbeagreaterfreedom.Voice1 - Therefusaloftimeandofgrowingoldautomaticallylimitedencountersinthisnarrow,contingentzone,wherewhatwaslackingwasfeltasirreparable.Theextremeprecariousnessofthemeansofgettingbywithoutworkingwasattherootofthisimpatiencewhichmadeexcessesnecessaryandbreaksdefinitive.Voice2 - Oneneverreallycontestsanorganizationofexistencewithoutcontestingallofthatorganization’sformsoflanguage.Voice1 - Whenfreedomispracticedinaclosedcircle,itfadesintoadream,becomesamererepresentationofitself.Theambianceofplayisbynatureunstable.Atanymoment"ordinarylife"�canprevailonceagain.Thegeographicallimitationofplayisevenmorestrikingthanitstemporallimitation.Anygametakesplacewithinthecontoursofitsspatialdomain.Aroundtheneighborhood,arounditsfleetingandthreatenedimmobility,stretchedahalf-knowncitywherepeoplemetonlybychance,losingtheirwayforever.Thegirlswhofoundtheirwaythere,becausetheywerelegallyunderthecontroloftheirfamiliesuntiltheageofeighteen,wereoftenrecapturedbythedefendersofthatdetestableinstitution.Theyweregenerallyconfinedundertheguardofthosecreatureswhoamongallthebadproductsofabadsocietyarethemostuglyandrepugnant:nuns.Whatusuallymakesdocumentariessoeasytounderstandisthearbitrarylimitationoftheirsubjectmatter.Theydescribetheatomizationofsocialfunctionsandtheisolationoftheirproducts.Onecan,incontrast,envisagetheentirecomplexityofamomentwhichisnotresolvedintoawork,amomentwhosemovementindissolublycontainsfactsandvaluesandwhosemeaningdoesnotyetappear.Thesubjectmatterofthedocumentarywouldthenbethisconfusedtotality.Voice2 - Theerahadarrivedatalevelofknowledgeandtechnicalmeansthatmadepossible,andincreasinglynecessary,adirectconstructionofallaspectsofaliberatedaffectiveandpracticalexistence.Theappearanceofthesesuperiormeansofaction,stillunusedbecau搜索引擎优化fthedelaysintheprojectofliquidatingthecommodityeconomy,hadalreadycondemnedaestheticactivity,whoseambitionsandpowerswerebothoutdated.Thedecayofartandofallthevaluesofformermoreshadformedoursociologicalbackground.Therulingclass’smonopolyovertheinstrumentsweneededtocontrolinordertorealizethecollectiveartofourtimehadexcludedusfromaculturalproductionofficiallydevotedtoillustratingandrepeatingthepast.Anartfilmonthisgenerationcanonlybeafilmonitsabsenceofrealcreations.Everyoneunthinkinglyfollowedthepathslearnedonceandforall,totheirworkandtheirhome,totheirpredictablefuture.Forthemdutyhadalreadybecomeahabit,andhabitaduty.Theydidnotseethedeficiencyoftheircity.Theythoughtthedeficiencyoftheirlifewasnatural.Wewantedtobreakoutofthisconditioning,inquestofanotheru搜索引擎优化ftheurbanlandscape,inquestofnewpassions.Theatmosphereofafewplacesgaveusintimationsofthefuturepowersofanarchitectureitwouldbenecessarytocreatetobethesupportandframeworkforlessmediocregames.Wecouldexpectnothingofanythingwehadnotourselvesaltered.Theurbanenvironmentproclaimedtheordersandtastesoftherulingsocietyjustasviolentlyasthenewspapers.Itismanwhomakestheunityoftheworld,butmanhasextendedhimselfeverywhere.Peoplecanseenothingaroundthemthatisnottheirownimage;everythingspeakstothemofthemselves.Theirverylandscapeisalive.Therewereobstacleseverywhere.Therewasacohesionintheobstaclesofalltypes.Theymaintainedthecoherentreignofpoverty.Everythingbeingconnected,itwasnecessarytochangeeverythingbyaunitarystruggle,ornothing.Itwasnecessarytolinkupwiththemasses,butweweresurroundedbysleep.Voice3 - Thedictatorshipoftheproletariatisadesperatestruggle,bloodyandbloodless,violentandpeaceful,militaryandeconomic,educationalandadministrative,againsttheforcesandtraditionsoftheoldworld.Voice1 - Inthiscountryitisonceagainthemenoforderwhohaverebelled.Theyhavereinforcedtheirpower.Theyhavebeenabletoaggravatethegrotesquenessoftherulingconditionsaccordingtotheirwill.Theyhaveembellishedtheirsystemwiththefunerealceremoniesofthepast.Voice2 - Years,likeasingleinstantprolongedtothispoint,cometoanend.Voice1 - Whatwasdirectlylivedreappearsfrozeninthedistance,fitintothetastesandillusionsofanera,carriedawaywithit.Voice2 - Theappearanceofeventsthatwehavenotmade,thatothershavemadeagainstus,nowobligesustobeawareofthepassageoftime,itsresults,thetransformationofourowndesiresintoevents.Whatdifferentiatesthepastfromthepresentispreciselyitsout-of-reachobjectivity;thereisnomoreshould-be;beingissoconsumedthatithasceasedtoexist.Thedetailsarealreadylostinthedustoftime.Whowasafraidoflife,afraidofthenight,afraidofbeingtaken,afraidofbeingkept?Voice3 - Whatshouldbeabolishedcontinues,andwecontinuetowearawaywithit.Weareengulfed.Weareseparated.Theyearspassandwehaven’tchangedanything.Voice2 - Onceagainmorninginthesamestreets.Onceagainthefatigueofsomanysimilarlypassednights.Itisawalkthathaslastedalongtime.Voice1 - Reallyhardtodrinkmore.Voice2 - Ofcour搜索引擎优化nemightmakeafilmofit.Butevenifsuchafilmsucceedsinbeingasfundamentallydisconnectedandunsatisfyingastherealityitdealswith,itwillneverbemorethanare-creation"”poorandfalselikethisbotchedtravelingshot.Voice3 - Therearenowpeoplewhopridethemselvesonbeingauthorsoffilms,asotherswereauthorsofnovels.Theyareevenmorebackwardthanthenovelistsbecausetheyareunawareofthedecompositionandexhaustionofindividualexpressioninourtime,ignorantoftheendoftheartsofpassivity.Theyarepraisedfortheirsinceritysincetheydramatize,withmorepersonaldepth,theconventionsofwhichtheirlifeconsists.Thereistalkoftheliberationofthecinema.ButwhatdoesitmattertousifonemoreartisliberatedthroughwhichTom,DickorHarrycanjoyouslyexpresstheirslavishsentiments?Theonlyinterestingventureistheliberationofeverydaylife,notonlyintheperspectivesofhistorybutforusandrightaway.Thisentailsthewitheringawayofalienatedformsofcommunication.Thecinema,too,hastobedestroyed.Voice2 - Inthefinalanalysis,starsarecreatedbytheneedwehaveforthem,andnotbytheirtalentorlackoftalentorevenbythefilmindustryoradvertising.Miserableneed,dismal,anonymouslifethatwouldliketoexpanditselftothedimensionsofcinemalife.Theimaginarylifeonthescreenistheproductofthisrealneed.Thestaristheprojectionofthisneed.Theimagesoftheadvertisementsduringtheintermissionsaremoresuitedthananyothersforevokinganintermissionoflife.Toreallydescribethiseraitwouldnodoubtbenecessarytoshowmanyotherthings.Butwhatwouldbethepoint?Bettertograspthetotalityofwhathasbeendoneandwhatremainstobedonethantoaddmoreruinstotheoldworldofthespectacleandofmemories.1.Thisfilm,whichevokesthelettristexperiencesattheoriginofthesituationistmovement,openswithshotsoftheParisdistrictfrequentedbythelettristsintheearly1950s.

David,nowanoldman,isstillkingofIsrael.Amonghissons,theambitiousAdonijahandthecleverSolomon.Thetwoyoungmenarefiercerivals,sincebothareprospectiveheirstothethroneandonlyonecanbesuccessful.Duringahuntingexpedition,AdonijahchallengeshisyoungerbrotherSolomontoachariotrace.WhileSolomon,thoughbrave,stillretainsamodicumofcaution,thedaredevilAdonijahiseagertowinatallcosts-andlosescontrolofhischariot.SolomontakestheseriouslyinjuredAdonijahbacktoJerusalem.OnthewaytheretheymeettheattractiveAbishag,whodespiteheryouthisversedintheu搜索引擎优化fhealingherbs.Sheactuallysucceedsinhelpingtheprince.AdonijahfallsinlovewithAbishag-butBathshebaarrangesthingssothatsheworksforDavid,hopingthatheryouth,herbeautyandherhealingpowerswillsoothetheoldking’ssuffering.SeveralmembersoftheinfluentialpriesthoodandalsotherespectedarmygeneralJoab,whoservedDavidloyallyformanyyears,supportAdonijah’sclaimtothethrone-eventhoughDavidhasstillnotmadeanydecisionwithregardtoapotentialsuccessor.Thebattle-experiencedJoabregardsSolomonasanindecisiveweakling,underwhoseleadershipthekingdomwouldsoonfallapart.WhentheprophetNathanfindsoutaboutAdonijah’sconspiracyheinformsBathshebaandSolomon,whourgeDavidtotakeimmediateaction.AndsoitcomestopassthatpreparationstoanointthefuturekingofIsraelaremadebothattheSpringofEnrogel,whereAdonijahandhismenareencamped,aswellasinJerusalem.ThefestiveprocessionforAdonijahhasalreadybeenassembledandthepeopleenticedwithdeliciousdelicaciestocheerhimon,whenthenewsofSolomon’scoronationreachesEnrogel.ThepeoplepromptlyacknowledgethewillofKingDavidandstreamofftoJerusalemintheirhordestogreetSolomon,theirfutureruler.Adonijahremainsbehindwithahandfulofloyalfollowers.Herealizesthathehaslost-forthetimebeing.Humblyheplaceshislifeinhisbrother’shands.Adonijahisforgivenononecondition:thathealwaysremainsloyaltohisbrotherSolomon.ThegreatKingDavidisdead,andhissonSolomonhassucceededhimastherightfulrulerofIsrael.AdonijahnowhasarequesttomakeofBathsheba:hewantstomarryAbishag.Solomonhearsaboutthisseeminglyinnocentwish,andrecognizesitasarenewedployonbehalfofhisbrothertoreclaimthethrone-Adonijah’smarriagetothelastwomantoshareKingDavid’sbedwouldstrengthenhispoliticalpositionconsiderably.Solomonknowsthathehastoactquicklyanddecisivelyifheistosecurehisownpower.HehashisbrotherAdonijahandthelatter’sclosestassociateJoabexecuted.Afterthisradicaldecision,Solomonwithdrawstopresentsacrifices.InadreamtheLordappearstohimandgrantshimthefulfillmentofawish,whateveritmaybe.Solomonmerelyasksforwisdom-inordertobecomeagoodrulerandjudge.WarwithEgyptislooming.Toarmhiskingdomagainsttheterritorialambitionsofitspowerfulneighbors,Solomonnotonlyintroducesseveralreformsbutalsodecidestomarrythedaughterofthepharaoh.TheEgyptianprincessdoesnotremainSolomon’sonlywife,however:astimegoesbythekingmarriesnumerousnoblewomenfrommanydifferentcountriesforpoliticalandeconomicreasons.Inthiswayhepreservespeaceforhispeople,andcreatesgreatprosperity.ByallowingthewomentocontinuepracticingtheirdomesticcustomsandreligiousritualsinJerusalemaswell,hecomesintoregularconflictwiththepriesthood,whoseetheforeignreligionsasendangeringIsrael’ssolecovenantwiththeLord.ThewisdomgrantedtoSolomonbyGodbecomesfullyevidentwhenthekingsitsinjudgment.Onedaytwoharlotseachclaimtobemotherofthesamebaby.Solomon’sdecisionseemsutterlycruel:hesaysthatthechildshouldbecutintwosothateachwomanreceiveshalf.Solomoncannowdeterminewhotherealmotherisfromherreaction:shewillnotallowherchildtobeharmed.Solomonhandsthechildbacktoitstruemotheramidcheersofapproval.OneofthemostimportanttaskshandeddowntoSolomonbyhisfatherDavidisbuildingthegreatTempletohousetheArkoftheCovenant.Ithastobelargerandmoremagnificentthanallothertemplesintheworld,andSolomonnowsetsaboutfulfillinghisfather’swish.HeplacesJeroboaminchargeoftheIsraeliteworkersaschiefoverseer.Sevenyearslater,theworkiscompleted.Theexpensiveconstructionmaterialshavebeenbroughtfromfar-offlands,andthepeopleofIsraelhavepaidexceedinglyhightaxeswithoutcomplaintinordertofinancetheconstructionwork.TheArkoftheCovenantcannowfinallybetakentotheTempleinatriumphantprocession.Aftersomanyyearsofwandering,theIsraelites’mostsacredpossessionnowhasafixedhomeofitsown.PeoplestreamtoJerusalemfromacrosstheentirecountrytocelebratethegreatday.Abishag,nowmarried,comestooandbringsherfamily.Solomonhasdecidedtomingleamongthepeopleindisguise,andheandAbishagareoverjoyedwhentheyaccidentallymeetagainaftersomanyyears.TheTemplemakesJerusalemanditskingfamousthroughouttheworld.Eventhedark-skinnedQueenofShebasetsoffwithalargeretinuetovisitthewiseandcultivatedSolomonandadmirehismagnificentcity.Theadmirationturnsouttobemutual:Solomon,captivatedbyherbeauty,fallsdeeplyinlovewithher.Thetwoofthemhaveachild,Menelik,butonedaytheQueenofShebadecidestoleave.ShedoesnotwantMeneliktobedeprivedoftheregaldignityawaitinghiminhishomecountry.Solomonstaysbehind,withaheavyheart.Thekinghasnowachievedeverythinghesethishearton,butwiththepassingoftheyearsthewiseSolomongraduallybecomesamelancholy,skepticaloldmanwhoregularlyquestionshisveryexistence.Materialthingsseemtorepresenttheonlyrealityforhim.Healsorefusestoadoptanykindofsteadypolicy,especiallyinreligiousmatters.Withhisforeignwives,Solomonsacrificestoforeigngods,andthisincursthewrathofthepriesthood.TheloyalJeroboamappealstohisking’sconscience,buttonoavail.DuringoneofSolomon’ssortiesindisguiseamonghispeople,asimplefarmerremindshimofthefirstoftheTenCommandmentsrevealedbytheLordtoMoses:"Youshallhavenoothergodsbeforeme."Atanotherdecisivemoment,GodHimselfspeakstoSolomonandannouncesthepunishmentforhissinfulness:thekingdomwillcollapseafterSolomon’sdeath.Thekinghasgrownoldandweary.HehaslosttouchwiththepeopleofIsrael,whoaresufferingfromheavytaxationandforcedlabor.Solomonhastreatedhislong-standingcompanionJeroboam,towhomheentrustedtheadministrationofthenortherntribes,withmurderousangereversinceaprophetpredictedthedivisionofthekingdomtohim.Thekingnolongerhasthestrengthtochangethings-hejustleavesthemastheyare.Theconsequencesofthisbecomeclearshortlyafterhisdeath.Solomon’ssonandsuccessorRehoboamtreatsthecountry’sleaderswitharrogance,andprovokesthedivisionofthekingdomintotwoparts:theonlytribestillloyaltohimisthatofJudah,whilealltheothersuniteunderJeroboam.Theprophecyhasbeenfulfilled.ThekingdomthatSolomonreceivedfromhisfatherDavid,andinvestedwithsuchmightandmagnificence,isnowdivided.

才华横溢且高傲自信的外科女医生卡罗琳·泰勒（詹妮弗·比尔斯JenniferBeals饰）是一个彻彻底底的无神论主义者，数年前的海难中她失去了儿子威尔，此外她更在昏迷中经历了濒死体验，只不过决然不相信所谓灵魂方面的说辞。某日，她被院长命令与IT界的顶尖精英伊万·杜林（马修·莫迪恩MatthewModine饰）见面，伊万自称病入膏肓，他承诺将全部财产捐给卡罗琳所在的医院，条件是对方配合他进行灵魂及濒死体验方面的研究。起初卡罗琳对此极为抵触，但经过一系列事件后，她抱着试试看的态度与伊万合作，并且找到非洲来的实习生泽丹（EdiGathegi饰）以及伊万的下属雅内尔（CarolineRoseKaplan饰）担任助手。神秘未知的世界是否存在？死亡是否就是灵魂之旅的终点？

活跃于加勒比海上的哈里、道格（FrankLangella饰）、莫迪三兄弟各保存着一份藏宝图的三分之一，道格欲独占宝藏将哈里重伤致死。哈里之女摩根（GeenaDavis饰）接管晨星号海盗船，继承了父亲复仇与寻宝的遗愿。摩根取下父亲头皮上的藏宝图，却因无法辨识图上的拉丁文而登陆求助，适逢惯偷肖（MatthewModine饰）被官方贩卖为奴，摩根依赖肖的翻译能力把他买下，并且很快在官军对自己的追捕中展现了悍女本色。摩根等人寻至莫迪处，不料道格意外出现，混乱中莫迪身死，而肖将第二张藏宝图占为己有。摩根惩治了肖的不忠，但却无法摆脱尾随的道格，最终船员叛变，摩根失去了晨星号，虽然肖协助摩根发现割喉岛宝藏所在，但是在道格和官军的围堵下，取得宝藏谈何容易？

Also new to the slate is recently completed Australian title Rough Stuff, an action-adventure story about an activist group which makes a dubious deal with a group of treasure seekers and their modified four-wheel-drives on an expedition through the Australian outback.

　　The last year of life of the Italian-French painter Amedeo Modigliani (1884-1920) who died with 36 years, was played by Gérard Philipe, who was lethally sick during the shooting of this movie and died shortly after its release, 1959, with 36 years - on one of the two diseases that Modigliano had himself and exactly in his age. Further, this movie was directed by Jacques Becker - after the sudden death of Max Ophüls. Becker, too, died only 2 years after this movie.

由《麻木不仁》“Steve”JamesMarsden领衔参与的《陪审义务》（JuryDuty）公开，剧集将于4月7日首播，首更四集，4月21日季终。本剧将会是一部以法院为背景、糅合纪录片元素的多镜头喜剧。它通过一位叫做RonaldGladden的陪审员作为视角，记录了陪审团审判制度的内部运作。Ronald并不知道整个案件都是假的，除了他之外，每个人都是演员，包括James，而且发生的一切——法庭内外——都是精心策划的。这个高度保密的项目在去年9月首次被披露，将会是一个十分独特、类型突破、将整个故事置于陪审团进行裁决的观察；它会有点模仿SachaBaronCohen在《波拉特》以及其它作品（与他曾经合作过的几名制片人也在主创团队）、NathanFielder等节目的形式，依靠James与一些演员没有脚本的即兴互动、无法预测的既定走向创造效果。James早前和一群有着即兴喜剧背景的演员以及被真实传唤、担任陪审员的普通人进行了拍摄，并在洛杉矶南部的一个真实法庭完成了拍摄。这是在他于《西部世界》演出之外，抽空完成的。除去James之外，其它较为人熟悉的演员包括《情何以堪》“Luke”EvanWilliams、《最后的大亨》“Mary”WhitneyRice、《爱芯》“Xtra”EdyModica、《大学女生的性生活》“Eric”MekkiLeeper、和《保留地之犬》“Kenny”KirkFox。