Huma
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艾迪森·海曼
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Twocodependentbestfriendsbecomeaddictedtotheheroin-liketouchofanaliennarcissistwhomayormaynotbetryingtotakeovertheworld.WriteranddirectorAddisonHeimann’ssecondfeaturefilmisprovocativelycomedic,inventive,andinsaneinthebestpossibleway.AnodetothedeliriouslystylisticlensofJapanesecinemainthe’60sand’70s,TouchMedaresto“gothere”withitsthemesofmentalhealth,desire,andHentai-infusedsexualabandon.OliviaTaylorDudleysinksintocharactertoportrayafracturedandwanderinghumanbeingindesperateneedofalife-affirmingtouch,whileLouTaylor-Pucci’stracksuit-cladalienpersonaisplayedtodelightfulperfection.JordanGavarisandMarleneForteroundoutanimpeccablecastoffar-outcharacterswhomanagetobeatonceacrimoniousyetrelatable.Theendresultisaweird,wild,andfrenziedfeverdreamwithsomuchtounpack.Whilewemaynotbeabletorelieveourselvesofself-doubt,deep-seatedchildhoodtrauma,anddebilitatinganxietywiththesimpletouchofanextraterrestrialbeing,maybelifeisn’tsobadafterall?
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TwotreasurehuntersuncoverasealedtombandawakenamummythathaswaitedyearstocomebackandwipehumanityfromthefaceoftheEarth.ItsaraceagainsttimeastheytrytostoptheMummyfromwreakinghavoconthemodernworld.两个寻宝者揭开了一个密封的坟墓，唤醒了一位等待多年的木乃伊，将人类从地球表面抹去。这是一场与时间的竞赛，因为他们试图阻止木乃伊对现代世界造成破坏。
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理查德·勒梅
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Every25years,itbegins.Boundtoanancientpact,afamilyofunlimitedpowerdescenduponasmallruraltowntosacrifice4humanlives,onebeingamemberoftheirownfamily.Theritualstartswiththerapeofalocalgirl,18yearoldKerry.Findingherselfpregnant,sherealizesherunbornbabyisthetargetofasinisterplot.Asthemonthspassandpeoplearoundherbegintoturnupdead,shedesperatelysearchesforawayoutofthisunthinkablesituation.Thefamilymustperformthisritualtomaintaintheirpowerordie.InchargeofcarryingouteachsacrificeashisinitiationisDavid,ayoungmanconflictedwithhisdestiny.HeunexpectedlybeginstofallforKerry,whichweighsonhisconscienceastheygetclosertothefinalsacrifice.Whatstartsoffasathrillersoondescendsintotherealmofhorrorasoccultritualsandancientpactstakeholdofonegirlslife,bindinghertoafateshecannotpossiblyfathom.ROSEMARYSBABYmeetsDRAGMETOHELLinthistwistedanddarklookintotheoccultandhowfarthehumanspiritcantakeonesoulinitsmostdesperatehour.Layeredwithplottwistsandconflictedcharacters,BLOODLINEfollowssixpeopleastheycarryouttheirdestinytotheirultimatehorror.
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Bipedalism, or 'two-footed walking', is the story of a painter who grew up in an orphanage and only years later learns the circumstances of his father's disappearance and death. Childhood memories bring the main character back to the past he buys a house in the suburbs that used to belong to his family. In the basement, he finds his father's archives and scientific research documents on the hybridization of human race with related biological species. Studying the archive material, he unexpectedly finds evidence of efforts to renew the experiments on the remaining hybrid population. The painter then becomes a researcher, and consequently a victim. The basic idea of his father's research was to change, control and influence the process of human evolution - initially connected with eugenics theories of the period before World War II, and now being placed in a context of modern 'biotechnological' expectations by his former colleagues. The main character tries to recreate and realize his father's heritage, who was forced to cooperate with state terror organizations, using the results of his secret research. In a tragic manner, this information turns into the main character's reality, at first forcing him to reappraise his father's values and later driving him to madness.
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马克·迈尔斯
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列维·施瑞博尔!亚历克斯·沃尔夫([遗传恶运])将加牛耳演影片[人力资源](Human Capital,暂译),马克·迈尔斯([我友人是杀人狂])执导,欧伦·穆弗曼([爱与慈善])操刀脚本,影片故事改编自斯蒂芬·阿米登创作的同名小说,报告因一同车祸,两个差别阶级的家庭被接洽起来。
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Alvin、B.
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由于在学校表现差，富家子马龙（Marlon，PauloAvelino饰演）计划着私下里见见他的文学课老师，卡伦（Karen，JeanGarcia饰演）。然而，不经意间马龙发现原来卡伦除了做老师之外，同时又是一名舞蹈老师与舞蹈指导。于是，他雇佣了他的朋友，同学，同时身为卡伦的舞蹈助理的丹尼斯（Dennis,RoccoNacino饰演）偷偷教他跳舞，来接近卡伦。然而，通过舞蹈的肢体接触，不知不觉间两个男生越来越亲近。丹尼斯逐渐发现自己对马龙有一种无法言状的情愫，这种感觉已经超越了友谊，然而马龙却无动于衷。没多久，他们的“友谊”关系开始日趋紧张，然而马龙却丈二和尚摸不着头脑。由于舞蹈天赋出众，两个人被选中成为卡伦老师的改编舞蹈，他加禄语版史诗剧《Humadapnon》的主角。当两个年轻人为这部剧努力排练时，马龙终于通过舞蹈的肢体接触与真情流露，告诉了丹尼斯他那无法用语言表达的心声……
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史宾塞·洛克
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泰米娜·森尼
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法兰·塔希尔
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斯科特·麦克洛维茨
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丽维·陈
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克里斯·梅森
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格本加·阿金纳格贝
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brandon scott
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klement tinaj
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derek s. orr
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nicole fahel
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A young mad genius attempts to 'hack the human mind' in order to fix humanity.
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翁贝托·伦齐
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Umberto Lenzi is undoubtedly the king of Italian crime movies, but unfortunately; Syndicate Sadists is not the best examples of his work in this genre. Lenzi's crime flicks tend to be a cut above the rest because he makes films based on stories with a point, and they don't lack direction; but this film feels a bit too wayward to fully fit with the rest of his stuff. The film takes obvious influence from Sergio Leone's landmark western 'A Fistful of Dollars' (which in turn, took influence from Akira Kurosawa's landmark samurai flick Yojimbo), in that it features two warring families and a strong character at the centre. The crime that Lenzi focuses on is kidnapping, and we centre on a character called 'Rambo'. Rambo is dragged into the war between the two families after his brother is killed because of it. Rambo uses his brains and brawn to pit the two families against one another, in the hope of gaining revenge for his brother's death, rescuing a young boy that they've kidnapped, and ultimately letting the two sides destroy one another. The film's biggest asset is undoubtedly Tomas Milian. Milian was put to great use by Lenzi in almost all of his crime thrillers. The range of characters he has played for Lenzi is immense, and this one is easily one of the coolest. The character is called Rambo, which immediately sprang to mind the popular Sylvester Stallone character - but for once, the Italians actually haven't stolen this name as Syndicate Sadists was released first! As usual, the film is wickedly entertaining, as we get to watch Milian get himself involved in the usual array of car chases, shootouts and brawls. Lenzi has got him riding a motorbike this time round, and every scene featuring it and Milian is a real standout! However, the film often feels like it doesn't really have anywhere to go, and this means that the running time is stretched out more than it should be. Compared to the crime films of other Italian directors, Syndicate Sadists is more than above average; but in relation to Lenzi crime flicks such as Almost Human and The Cynic, The Rat and The Fist - it doesn't stand tall as one of Lenzi's best. Still, if you're looking for ninety minutes of testosterone fuelled mayhem - Syndicate Sadists will suffice!
