Noth
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SamedilivesinavillageinWallonia.Heworksfromtimetotimeasagardenerandhasacloserelationshipwithhismother.Everydaylifeinthevillage,whichhasseenbettertimes,Samedi'squietandfriendlynatureandthestilllargelyintactruralsettingstandinstarkcontrasttotheheroinaddictionSamedihassufferedfromforover20years,whichonlyhisfamilyknowsabout.Hisrelationshipwithhismotherchangeswhenhemakesanotherattempttogetclean.PalomaSermon-Daï’sdocumentarypaintsarestrained,highlyprecisepictureofarelationshipmarkedbyaffectionandlovebutwhichisalsodifficulttodefineinrelationtoSamedi'sproblem.Asthecameraobservesthelong,concentratedconversationshehaswithbothhismotherandhistherapist,apictureofaddictioncomesintoviewwhichispartofafamilystructure.Thisbecomesembeddedinsomethinglargerinturnviatheindividualimagesofthevillage.PetitSamedicreatesanimageofdependenceinwhichindividual,familyandsocialcoexistenceareintertwined,withoutfallingintothetrapofsayingwhatmightbeabletosolvetheproblem.
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杰森·斯通
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Pickingupsixmonthsaftertheeventsofseason1,thenextchapterof"TheHardyBoys"findsFrankandJoetacklinganothercomplicatedmysterywhenalocalBridgeportteengoesmissingandashadowycorporationmovesintotown.
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霍华德·齐耶夫
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Charley is a surgeon who's recently lost his wife. He embarks on a tragicomic romantic quest with one woman after another until he meets up with Ann, a singular woman, closer to his own age, who immediately and unexpectedly captures his heart.
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"Aleksei Gherman junior’s film The Last Train premiered in Moscow in mid December during the film festival Stalker, which also awarded it the prize for the best film. However, its first screening had already taken place in the ‘controcorrente’ competition of the Venice Film Festival in September. The film, dealing with theme of war and shot in black and white, remained unnoticed by the press in the context of the Venice Film Festival (preoccupied almost exclusively with Zviagintsev’s The Return), although it was awarded a prize. In Moscow, it made rather a different impression, especially when set in the context of films dealing with human rights issues.Gherman’s film is, in a sense, a response to his father’s war film 20 - Days without War. Maybe this explains the oddity of a young, clearly talented director venturing on his debut film into the trodden territories of the war film, a theme that dominated Russian cinema in general, but had also been dealt with by his father. For Gherman Junior, however, war knows neither winners nor losers: instead of exploring the history of WWII, Gherman looks at the fate of two men who have failed to make the right choice (or a choice) at the right time. Therefore, they are now the victims of circumstances, of politics, of regimes – which they have or have not elected. Gherman’s concern is with people in particular circumstances, which are not their choice, and how they cope with these unwanted situations.
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TheDeathofSupermanandReignoftheSupermennowpresentedasanovertwo-hourunabridgedandseamlessanimatedfeature.Witnesstheno-holds-barredbattlebetweentheJusticeLeagueandanunstoppablealienforceknownonlyasDoomsday,abattlethatonlySupermancanfinishandwillforeverchangethefaceofMetropolis.TheDeathandReturnofSupermanfindsSupermaninafighttothefinishwhentheManofSteelbecomestheonlyherowhocanstandinthewayofthemonstrouscreatureDoomsdayandhisunstoppablerampage.Supermansavestheplanet,butnothimself,leavingEarth’scitizens–andhisheroiccontemporaries–dealingwithaworldwithoutSuperman.TheaftermathofSuperman’sdeath,andthesubsequentdisappearanceofhisbody,leadstoanewmystery–isSupermanstillalive?Thequestionisfurthercomplicatedwhenfournewsuper-poweredindividuals–Steel,CyborgSuperman,SuperboyandtheEradicator–emergetoproclaimthemselvesastheultimatehero.Intheend,onlyonewillbeabletoproclaimhimselftheworld’strueSuperman.
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约翰·卡朋特
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1982年冬天,挪威科考队的一架直升机忽然攻破了南极大陆的镇静,直升机跋扈狂的追一一只雪橇犬,最后坠毁在美国科考营地的四周。美国科考队员对挪威考核队近期职员骤减的情形有所耳闻,于是飞翔员麦克（Kurt Russell 饰）与世人赶赴挪威营地,成果看到的是一地破败中到处散落着奇异的遗体,并有证据标明挪威人掉掉落了某种冰封状况中的生物。大夫布莱尔（Wilford Brimley 饰）研讨了遗体的变异却无奈破解成因。当晚,犬笼中的狗受到打击并产生了变异,一种弗成知的生物正在这孤寂的南极大陆威逼着科考队员们的性命…… 本片翻拍自1951年由霍华德•霍克斯指点的「The Thing From Another World」。
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EveshusbandhasbeenkilledinAfghanistan.ShetakesheryoungsontoaSuffolkbeachhouseontheedgeoftheNorthSeatogrieve.Butsomeoneelseisinthehousegrievingherlossfromanotherwar.
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While Guillermo tries to fix his romantic life making a film about it, he will discover another reality through Samir, a Syrian refugee, who will make him think that all his issues are superficial.
