Nikaidou
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Waking up after giving birth, Mayang gets the news unlike what she expects from Reza, her husband: their first baby has died. Both of them are experiencing tremendous depression. Mayang can not accept it. Everyone at the hospital is sure that she is hallucinating. She contacts the police to look for a bright spot in this strange case. Dr. Vera who helped her give birth, provides evidence: the document of her baby's death with several photographs of the incident. Mayang who chooses not to give up begins to be considered crazy by some people in the hospital, including her own husband. Moreover, she feels to be followed by a spirit.
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Afterabrieffling,Rita(spirituallyminded24yearoldwhoidentifiesasalesbianthatworksasamentalhealthworker)andAdam(25yearoldflamboyant,straightcareerobsessedfilmmaker)decidethattheyarebetteroffasfriendsthanromanticpartners.Thisrealizationchangesdrasticallywhenaweeklatertheyfindouttheyarepregnantduetoafailedcondomandafai...
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唐·曼西尼
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行为方便的妮卡（菲安娜·多里夫 Fiona Dourif 饰）跟母亲莎拉·皮尔斯（Chantal Quesnelle 饰）生涯在一栋古旧的大屋子里。某天,当母女收到一个奇异的娃娃恰奇之后,莎拉于当夜不测逝世亡。在此之后,妮卡用心叵测的姊姊芭比（Danielle Bisutti 饰）带着潦倒崎岖潦倒的老公伊恩（Brennan Elliott 饰）!美丽年青的保姆吉尔（Maitland McConnell 饰）!可憎的女儿爱丽丝（Summer H. Howell 饰）以及教区神父（A Martinez 饰）离开家中。妮卡将恰奇送给爱丽丝当礼品,小女孩高兴至极。 谁知从当晚开端,逝世亡变乱接连在妮卡一家人四周产生,貌似天真的鬼娃娃静静举起手中的屠刀。电闪雷鸣,阴风阵阵,残暴无情的屠杀拉开尾声……
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Rakkawasbornwiththeabilitytocommunicatewiththespiritsofthedead.Thisabilitytortureshim,astheyoftenappeartohelpsettletheirgrudgesorsolvetheirproblems.Rakkaoftenhelpspoliceuncovermurdersuspectsandwherevictimsareburied.Rakka’sabilitymakeshimostracizedatschool.RakkadecidestomovetoBogortolivewithhisuncle,Ajat,whoalsohasthesameability.Rakkameetsabeautifulghostwhocan’trememberhername.RakkabeginstobondwiththisghostnamedDinibecausesheistheonlypersonwhocanunderstandRakka.Diniforgetsherpastandhasnopurpose.Feelingpityforthissituation,RakkaintendstohelpDinirememberherpast.Meanwhile,athisnewschool,terrorappearsfromamysteriousghostfigurewhoisseenwearingabloodymask.SomeofRakka’sfriendsdisappeared.Rakkausesherabilitiestofindoutthereasonbehindthisghostterror.
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翁贝托·伦齐
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Umberto Lenzi is undoubtedly the king of Italian crime movies, but unfortunately; Syndicate Sadists is not the best examples of his work in this genre. Lenzi's crime flicks tend to be a cut above the rest because he makes films based on stories with a point, and they don't lack direction; but this film feels a bit too wayward to fully fit with the rest of his stuff. The film takes obvious influence from Sergio Leone's landmark western 'A Fistful of Dollars' (which in turn, took influence from Akira Kurosawa's landmark samurai flick Yojimbo), in that it features two warring families and a strong character at the centre. The crime that Lenzi focuses on is kidnapping, and we centre on a character called 'Rambo'. Rambo is dragged into the war between the two families after his brother is killed because of it. Rambo uses his brains and brawn to pit the two families against one another, in the hope of gaining revenge for his brother's death, rescuing a young boy that they've kidnapped, and ultimately letting the two sides destroy one another. The film's biggest asset is undoubtedly Tomas Milian. Milian was put to great use by Lenzi in almost all of his crime thrillers. The range of characters he has played for Lenzi is immense, and this one is easily one of the coolest. The character is called Rambo, which immediately sprang to mind the popular Sylvester Stallone character - but for once, the Italians actually haven't stolen this name as Syndicate Sadists was released first! As usual, the film is wickedly entertaining, as we get to watch Milian get himself involved in the usual array of car chases, shootouts and brawls. Lenzi has got him riding a motorbike this time round, and every scene featuring it and Milian is a real standout! However, the film often feels like it doesn't really have anywhere to go, and this means that the running time is stretched out more than it should be. Compared to the crime films of other Italian directors, Syndicate Sadists is more than above average; but in relation to Lenzi crime flicks such as Almost Human and The Cynic, The Rat and The Fist - it doesn't stand tall as one of Lenzi's best. Still, if you're looking for ninety minutes of testosterone fuelled mayhem - Syndicate Sadists will suffice!
