Antar
搜索"Antar" ，找到 以下影视作品
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Afictionalaccountofthe1958attackagainsttheHungarianembassyinBern.Basedonatruestoryabouttheaftermathofthe1956Hungarianre册ution.NaprapontosankéthónappalNagyImreésmártírtársaikivégzéseutánaMagyarNépköztársaságbernikövetségeellenkétmagyaremigránsfegyverestámadásthajtottvégre.Azindítékhomályos,bárhelyilapértesülésekszerintNagySándorésPappEndreasvájcimagyarkommunistaügynökökaktáitakartamegszerezniamagyarnagykövettúszulejtésével.Ugyanakkorbizonyosforrásokbólkiderül,hogyatámadókamegtorlásokellenitiltakozó,figyelemfelkeltő,demonstratívakciónakszántákfellépésüket.Céljukattulajdonképpenelérték,merthetekenkeresztülakülföldisajtónapirendentartottaatámadás-ésezáltalalevertforradalom-ügyét,hiszennemcsakanemzetközipolitika,adiplomácia,deahelyiképesújságokistöbbalkalommalfoglalkoztakatémával.
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Tenyearsafteratidalwavedestroysasmall-townelementaryschoolwithallthechildreninside,ayoungmanbuildsamysteriousstructureoutoftheschool’sremains,settingthetownaflamewithpassionslongforgotten.
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TheearliestknownfilmfeaturingSherlockHolmeswasproducedforshowinginMutoscopemachinesinamusementarcades.Runningtime:30seconds.Theproductiondatewas26thApril1900.withasatiric"story"completelyunrelatedtoanywrittentalewemayknow.Itsahalf-minuteofnonsense.Aburglarcanappear&disappearatrandom.Holmestriestoignorehimbysmokingac...
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刘世允
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综合编成频道JTBC新综艺节目《我朋友的家在哪儿》,之前一同出演《非首脑会谈》的六位成员换上休闲服，或坐在河边吃冰激淩，或清晨慢跑，或倚靠在家门口，显得十分轻松。 《我朋友的家在哪儿》由《非首脑会谈》的六位成员将前往朋友的国家和家乡，亲身体验不同国家的文化差异。而第一个目的地就是中国朋友张玉安的家乡。来自义大利的AlbertoMondi、加拿大的GuillaumePatry、比利时的JulianQuintart、美国的TylerRasch、谐星刘世允和张玉安一起在中国进行6天5夜的旅行。该节目将於2月7日晚间8点30分首播。
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SueBarkerpresentsadocumentarylookingatthelifeandcareeroftennisstarMartinaNavratilova.Theyfirstmetonthetennistourin1974,soSuewastherethroughoutthelandmarksofMartina'slife:defection,comingoutandbreakingrecords.Inthisprogramme,MartinatakesSuebacktoRevnice,herhomeintheCzechRepublic,andallowsthecamerastofilmherweddingin...
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"Bob Dylan going electric" at the 1965 Newport Folk Festival is one of those epochal moments in rock history that seemingly everyone has heard about, but what few people seem to know is that it wasn't some ephemeral event that we only know from word of mouth -- filmmaker Murray Lerner documented the performances at the Newport Festival for several years running, and The Other Side of the Mirror collects footage from the three years Dylan appeared at the celebrated folk gathering, allowing us to see Dylan's rise through the folk scene for ourselves. Watching Lerner's documentary, what's most remarkable is how much Dylan changed over the course of 36 months; the young folkie performing at the afternoon "workshop" at the side of Joan Baez in 1963 is at once nervy and hesitant, singing his wordy tunes while chopping away at his acoustic guitar and energizing the crowd without seeming to know just what he's doing. In 1964, Dylan all but owns Newport, and he clearly knows it; he's the talk of the Festival, with Baez and Johnny Cash singing his praises (and his songs), and his mand of the stage is visibly stronger and more confident while his new material (including "Mr. Tambourine Man" and "It Ain't Me, Babe") sees him moving away from the "protest songs" that first made his name. When the audience demands an encore after Dylan's evening set (Odetta and Dave Van Ronk were scheduled to follow him), Peter Yarrow tries to keep the show moving along while Dylan beams at the crowd's adulation, like the rock star he was quickly being. By the time the 1965 Newport Festival rolled around, Dylan's epochal "Like a Rolling Stone" was starting to scale the singles charts, and the hardcore folk audience was clearly of two minds about his popular (and populist) success. When Dylan, Fender Stratocaster in hand, performs "Maggie's Farm" backed by Al Kooper, Mike Bloomfield and the rhythm section from the Paul Butterfield Blues Band, the raucous but hard-driving number inspires a curious mixture of enthusiastic cheering and equally emphatic booing, and while legend has it that the version of "Like a Rolling Stone" that followed was a shambles, the song cooks despite drummer Sam Lay's difficulty in finding the groove, though if anything the division of the crowd's loyalties is even stronger afterward. After these two numbers, Dylan and his band leave the stage, with Yarrow (once again serving as MC) citing technical problems (if Pete Seeger really pulled the power on Dylan, as legend has it, there's no sign of it here); Dylan returns to the stage with an acoustic six-string to sing "Mr. Tambourine Man" and "It's All Over Now, Baby Blue" before vanishing into the night without ment. While much of the audience at Newport in 1965 wanted the "old" Dylan back, his strong, willful performances even on the acoustic stuff makes it obvious that the scrappy semi-amateur we saw at the beginning of the movie was gone forever, and the ovations suggest more than a few people wanted to see Dylan rock. Lerner's film tells us a certain amount of what we already knows, but it gently debunks a few myths about Dylan during this pivotal moment in his career, and his performances are mitted and forceful throughout; no matter how many times you've read about Dylan's Newport shoot-out of 1965, seeing it is a revelatory experience, and Lerner has assembled this archival material with intelligence and taste. This is must-see viewing for anyone interested in Dylan or the folk scene of the '60s.
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提莫·塔哈亚托
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野村（北村一辉 饰）是一名健硕俊朗但周身散发着死亡气息的日本男子，他有如一匹冷血饿狼，张开獠牙狩猎年轻女性。落网的女性被他囚禁在封闭的斗室内，遭受最残酷的虐杀。而在这一过程中，野村录下女子遭受荼毒的全过程，并将视频上传网络与全世界分享。无情的他偶遇开花店的川原久惠（高梨临 饰），心底深藏的记忆瞬时复苏。与此同时，远在印尼的记者巴由（Oka Antara 饰）正因追查某政客的贪污事件而陷入窘境，偏偏他又经历了一次血腥抢劫。 此前看过野村视频的他，鬼使神差录下了凶手死亡的过程并上传网络。而这段录像偏偏又被野村看到，身处地球不同角落的两个人，就这样建立了联系……
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FilmmakerandgayactivistSridharRangayanembarksonapersonaljourneytoexposethehumanrightsviolationsfacedbytheLGBTQcommunityinIndiaduetoadraconianlawSection377andhomophobicsocialmoresofapatriarchalsociety.ThegrittydocumentaryBREAKINGFREEfeaturessearingtestimoniesofgayandtransgenderpersonswhohavebeenvictimizedorexploited,aswellaswide-ranginginterviewswithadvocatesandactivists.See-sawingbetweendespairandjoy,anguishandhope,thefilmoffersaninsiderviewoftheIndianLGBTQcommunityandisadocumentationofitsmovementfrominvisibilitytoempowerment.
