Shou
搜索"Shou" ，找到 以下影视作品
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WhensoldierShaunEmery’s(Turner)convictionforamurderinAfghanistanisoverturnedbecauseofflawedvideoevidence,hereturnstolifeasafreemanwithhisyoungdaughter.ButwhendamningCCTVfootagefromanightoutinLondoncomestolight,Shaun’slifetakesashockingturnandhemustsoonfightforhisfreedomonceagain.WithnewlypromotedDIRachelCarey(Grainger)draftedintoinvestigateShaun’scase,shequicklylearnsthatthetruthcansometimesbeamatterofperspective.ShouldshetrustShaunEmery?TheCaptureisasix-partthrillerthatlooksatatroublingworldoffakenewsandtheextraordinarycapabilitiesoftheintelligenceservices.Inthis‘post-truthera’,canwereallybelievewhatwesee?TheCaptureiswrittenanddirectedbyBaftaAward-winningfilmmakerBenChananandismadeforBBCOnebyHeydayTelevisionandNBCUniversalInternationalStudios.
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多米尼克·布伦特
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Filmingavampireflickinanold,abandonedmanorhouseshouldhaveworkedlikeadream,butthefilmcrewisoutoftheirdepth,overscheduleanddesperatetogettheshootfinishedandgohome.However,asthemoonturnsfull,thenightmarebegins.Bloodflowsandthebodycountrisesascastandcrewmeetthemanor’sresidentwerewolf…”
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苏珊娜·比尔
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妮可·基德曼
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休·格兰特
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诺亚·尤佩
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埃德加·拉米雷兹
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伊斯梅尔·克鲁斯·科尔多瓦
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马蒂尔达·德·安杰利斯
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莉莉·拉贝
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诺玛·杜梅温尼
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苏菲·格拉宝
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唐纳德·萨瑟兰
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陈法拉
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范黛特·利姆
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杰里米·萨默斯
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玛丽亚·迪齐亚
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安德鲁·基南-博尔格
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简·默勒尼
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亚历山德拉·艾布拉姆斯
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洛根·克劳福德
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欧妮卡·戴
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Joe Avellar
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Matt McGrath
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杰森·弗拉尼
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Jim Cleary
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Michael Devine
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改编脚本由David E. Kelley执笔!Susanne Bier执导,「碌碌无力」报告女主Grace Sachs（Nicole Kidman饰）过着心目中幻想的生涯：Grace是位胜利的心思医治师,有着优良的大夫老公及在精英私破黉舍就读的儿子,并且她正预备出书一本两性议题书「You Should Have Known」,书中重如果叱责女人不违抗本人直觉,没看出男伴所出现的意思。 但是在出书前多少周,一宗致逝世事件关涉到忽然掉落的老公,Grace这才发明本人生涯出现伟大裂痕,并且从前早有预兆,只是她没违抗本人直觉。而在事件被闹大后,女主得为了儿子废弃当初的生涯。 Hugh Grant扮演Jonathan Sachs,他是位广受好评的儿科肿瘤大夫,给人忠心老公及好爸爸的印象,但实在他掉落前早有不平常的预兆。Noah Jupe扮演男女主的12岁儿子Henry Sachs。
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Afteragroupoftelemarketersgetfiredbytheirpenny-pinchingboss,theytakerevengebystealingthecompanyslistofclientstostartuptheirownfirm.Intheheatofcelebrationandafewdrinksin,theylosethephonewhichholdstheonlycopyoftheirfuturecostumers.WhiletrackingthelostdeviceonHalloweennight,co-workersAmberandWillfindthemselvestrappedinadementeddrugaddictshouseofhorrors.
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AstridandRapha?llearebackforanewroundofinvestigationsthatwillseethemteamupwiththesecretservices,pursueaprofessionalkiller,rubshoulderswithMormons,thehorseracingworld,thelastdescendantofanAztectribe,aBuddhisttemple,afilmsetandevenconfrontacriminalwhodangerouslytransformsunderthefullmoon...
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约翰·亚历山大
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BELGRAVIAisthestoryofasecret.AsecretthatunravelsbehindtheporticoeddoorsofLondon’sgrandestpostcode.Thestorybehindthesecretwillberevealedinweeklybite-sizedinstalmentscompletewithtwistsandturnsandcliff-hangerendingsthatwillbedelivereddirectlytoyourmobile,tabletordesktopviaabrandnewapp.Youcanreadit,orlistentoit,orjumpbetweenthetwo.Setinthe1840swhentheupperechelonsofsocietybegantorubshoulderswiththeemergingindustrialnouveauriche,Belgraviaispeopledbyarichcastofcharacters.ButthestorybeginsontheeveoftheBattleofWaterlooin1815.AttheDuchessofRichmond’snowlegendaryball,onefamily’slifewillchangeforever...
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翁贝托·伦齐
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Umberto Lenzi is undoubtedly the king of Italian crime movies, but unfortunately; Syndicate Sadists is not the best examples of his work in this genre. Lenzi's crime flicks tend to be a cut above the rest because he makes films based on stories with a point, and they don't lack direction; but this film feels a bit too wayward to fully fit with the rest of his stuff. The film takes obvious influence from Sergio Leone's landmark western 'A Fistful of Dollars' (which in turn, took influence from Akira Kurosawa's landmark samurai flick Yojimbo), in that it features two warring families and a strong character at the centre. The crime that Lenzi focuses on is kidnapping, and we centre on a character called 'Rambo'. Rambo is dragged into the war between the two families after his brother is killed because of it. Rambo uses his brains and brawn to pit the two families against one another, in the hope of gaining revenge for his brother's death, rescuing a young boy that they've kidnapped, and ultimately letting the two sides destroy one another. The film's biggest asset is undoubtedly Tomas Milian. Milian was put to great use by Lenzi in almost all of his crime thrillers. The range of characters he has played for Lenzi is immense, and this one is easily one of the coolest. The character is called Rambo, which immediately sprang to mind the popular Sylvester Stallone character - but for once, the Italians actually haven't stolen this name as Syndicate Sadists was released first! As usual, the film is wickedly entertaining, as we get to watch Milian get himself involved in the usual array of car chases, shootouts and brawls. Lenzi has got him riding a motorbike this time round, and every scene featuring it and Milian is a real standout! However, the film often feels like it doesn't really have anywhere to go, and this means that the running time is stretched out more than it should be. Compared to the crime films of other Italian directors, Syndicate Sadists is more than above average; but in relation to Lenzi crime flicks such as Almost Human and The Cynic, The Rat and The Fist - it doesn't stand tall as one of Lenzi's best. Still, if you're looking for ninety minutes of testosterone fuelled mayhem - Syndicate Sadists will suffice!
