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锡人
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  Tin Men is one of my favorite movies of all time. The thing that always strikes me whenever I watch this movie is that while the characters of Richard Dreyfuss and Danny DeVito are seemingly feuding non-stop throughout the movie, in reality they are actually kindred spirits. It's like they see themselves in the other but don't really like what they see. Barbara Hershey is great as the haggard housewife who looks for something more fulfilling in her life. All the supporting cast is excellent. I love the diner dialog which is reminiscent of Barry Levinson's previous film "Diner." The background scenes of Baltimore landscape add to the realistic atmosphere of the movie. Overall, I think this movie is vastly underrated. I'd love to see a sequel with Dreyfuss and DeVito as partners in a VW dealership.
不/Nope
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“What’sabadmiracle?”OscarwinnerJordanPeeledisruptedandredefinedmodernhorrorwithGetOutandthenUs.Now,hereimaginesthesummermoviewithanewpopnightmare:theexpansivehorrorepic,Nope.ThefilmreunitesPeelewithOscarwinnerDanielKaluuya(GetOut,JudasandtheBlackMessiah),whoisjoinedbyKekePalmer(Hustlers,Alice)andOscar®nomineeStevenYeun(Minari,Okja)asresidentsinalonelygulchofinlandCaliforniawhobearwitnesstoanuncannyandchillingdiscovery.Nope,whichco-starsMichaelWincott(Hitchcock,Westworld)andBrandonPerea(TheOA,AmericanInsurrection),iswrittenanddirectedbyJordanPeeleandisproducedbyIanCooper(Us,Candyman)andJordanPeeleforMonkeypawProductions.ThefilmwillbereleasedbyUniversalPicturesworldwide.
奸杀犯
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Whenthreewomenarebrutallymurderedinfournights,privatedetectiveJohnDuval,ex-lieutenantcommanderinNavalIntelligence,findshimselftheprimesuspectinapolicehuntforthesexualkillerstalkingPortsmouth'ssilenthours.
血脉界限
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Every25years,itbegins.Boundtoanancientpact,afamilyofunlimitedpowerdescenduponasmallruraltowntosacrifice4humanlives,onebeingamemberoftheirownfamily.Theritualstartswiththerapeofalocalgirl,18yearoldKerry.Findingherselfpregnant,sherealizesherunbornbabyisthetargetofasinisterplot.Asthemonthspassandpeoplearoundherbegintoturnupdead,shedesperatelysearchesforawayoutofthisunthinkablesituation.Thefamilymustperformthisritualtomaintaintheirpowerordie.InchargeofcarryingouteachsacrificeashisinitiationisDavid,ayoungmanconflictedwithhisdestiny.HeunexpectedlybeginstofallforKerry,whichweighsonhisconscienceastheygetclosertothefinalsacrifice.Whatstartsoffasathrillersoondescendsintotherealmofhorrorasoccultritualsandancientpactstakeholdofonegirlslife,bindinghertoafateshecannotpossiblyfathom.ROSEMARYSBABYmeetsDRAGMETOHELLinthistwistedanddarklookintotheoccultandhowfarthehumanspiritcantakeonesoulinitsmostdesperatehour.Layeredwithplottwistsandconflictedcharacters,BLOODLINEfollowssixpeopleastheycarryouttheirdestinytotheirultimatehorror.
向梦想奔跑
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Kenya’s Rift Valley produces many of the world’s top marathon runners. It’s also a place of gun-toting cattle rustlers. In this enthralling documentary, Julius Arile and Robert Matanda trade their AK-47s for running shoes… and a dream for a better life.
谋杀干预组3
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ArjunSarkaar,atopHITofficerfromVisakhapatnam,issenttoJammuandKashmirtoinvestigateaseriesofbrutalmurders.Ashepursuesagroupofelusivekillers,thecasetestshisskillsandmentalstrength.
胆包天
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Umberto Lenzi is undoubtedly the king of Italian crime movies, but unfortunately; Syndicate Sadists is not the best examples of his work in this genre. Lenzi's crime flicks tend to be a cut above the rest because he makes films based on stories with a point, and they don't lack direction; but this film feels a bit too wayward to fully fit with the rest of his stuff. The film takes obvious influence from Sergio Leone's landmark western 'A Fistful of Dollars' (which in turn, took influence from Akira Kurosawa's landmark samurai flick Yojimbo), in that it features two warring families and a strong character at the centre. The crime that Lenzi focuses on is kidnapping, and we centre on a character called 'Rambo'. Rambo is dragged into the war between the two families after his brother is killed because of it. Rambo uses his brains and brawn to pit the two families against one another, in the hope of gaining revenge for his brother's death, rescuing a young boy that they've kidnapped, and ultimately letting the two sides destroy one another.  The film's biggest asset is undoubtedly Tomas Milian. Milian was put to great use by Lenzi in almost all of his crime thrillers. The range of characters he has played for Lenzi is immense, and this one is easily one of the coolest. The character is called Rambo, which immediately sprang to mind the popular Sylvester Stallone character - but for once, the Italians actually haven't stolen this name as Syndicate Sadists was released first! As usual, the film is wickedly entertaining, as we get to watch Milian get himself involved in the usual array of car chases, shootouts and brawls. Lenzi has got him riding a motorbike this time round, and every scene featuring it and Milian is a real standout! However, the film often feels like it doesn't really have anywhere to go, and this means that the running time is stretched out more than it should be. Compared to the crime films of other Italian directors, Syndicate Sadists is more than above average; but in relation to Lenzi crime flicks such as Almost Human and The Cynic, The Rat and The Fist - it doesn't stand tall as one of Lenzi's best. Still, if you're looking for ninety minutes of testosterone fuelled mayhem - Syndicate Sadists will suffice!
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